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The time 1997; Action over
reaction, broken beats over dark side bass, Genaside II came
roaring back with the intensity of madmen. The four beatsmen
of the apocalypse promised wreckage, messages from the
front-line, full force cuts from the streets of Brixton.
Genaside II returned with pedigree unheard of. The New Power
Generation, Rose Windross (Soul II Soul), Wu Tang's Cappadonna,
Killerman Archer, PLO up-comer Othorized F.A.M. and Eek A
Mouse all worked with Genaside on '96s New Life For The
Hunted. On 'New Life...' GII were chameleon producers cutting
up all manner of beats to mold subtle tracks for the
collaborating artists. Now the rhymes of Killerman Archer and
Fragile had been forced into the straightjacket as they joined
the fold full time to form the basis of the ruthless, stripped
down Genaside II.
The single "Mr. Maniac' poured forth the anger and fear of
fractious living, returning to their massive rhythm roots with
violent, bone-breaking beats and vicious edits. One of their
old school tracks "Fire When Ready" from '89 stated the intent
to experiment grafting vocals over cut up reggae loops, the
new music picks up right where that left off. "Our music ain't
hip-hop, trip hop, garage or jungle, but we invite all music
forms into our house: we dissect them, slaughter them, cut 'em
up and put 'em back together," declares GII production wizard
Kris Bones.
The 1991 release of the classic "Narramine" was followed on
Hardcore Urban Music by "Hellraiser" on which Genaside and Ray
Keith used the break that turned up several years later on the
Prodigy's 'Firestarter." Bootleg releases and a string of
singles came on a variety of labels and by 1995 they were
experimenting with the likes of The Prodigy and Shara Nelson.
Binding all aspects of the Genaside myth together, art work,
song titles and lyrics is a surreal world of blackness, a
complete vision with characters and events that wind through
each album and beyond.
This was to be a trilogy that would manipulate all forms of
media : the first glimpse into the Genaside II world would
come through 'Death Of The Kamikaze' a Manga text that styles
the red, black and white images adorning GII's covers bringing
together the characters and situations that bleed through into
the twilight of reality. Genaside II work with the artist Jazz
to breathe dark life into their visions, they are working on
the film that will follow as the second part and the novel
that will expand the whole story and bring it to a close.
After their second album Ad Finite Genaside II had only begun
to get their teeth into the urban experience, but with the
seminal aspects of their work once again to the fore it was
the year of musical mass destruction.
Forward to 1999 and the beginning of phase two:
Following the U.K. release of Ad Finite - a masterpiece in
it's own right and cited by as varied publications as Spin,
Raygun, The Face, Arena and NME through to Urb, Hip Hop
Connection, Mixmag and a whole host of others - vigorous
DJ'ing schedules ensued. From supporting long time spar Tricky
throughout his entire U.S. tour that same year, Kris Bones
(now primarily the central figure within the Genaside II
configuration) and his ever faithful record box would hardly
have time to breath. After completing select production
responsibilities with Tricky on 1999's highly-acclaimed
Product Of The Environment album for Island Records - that saw
the involvement of many of London's key gangland figures -
Kris hit the road once again.
Late 1999 and early 2000 saw him join the renowned website
MP3.Com on their tour of the U.S. before taking on the role of
opening DJ for the likes of Lords Of Acid on their trek around
the states a few months later. Memorable stints spent 'tearing
the place down' at Green Galactic's infamous Miami Winter
Music Conference 2000 three day 'SWEET" party would follow.
That year would also see him link forces with Swax, a
well-known up-and-comer within the confines of London's
underground drum and bass as well as jazz/funk/eclectic
fraternities. Swax, after originally meeting him four years
previously, lived literally five minutes up the road in
Brixton and shared the same over-brimming enthusiasm for
collecting vinyl in all it's various shapes, forms and
flavors.
This partnership moved quickly as the summer months saw the
two play alongside such high-ranking names as Todd Terry, Josh
Wink, Carl Craig and Doc Martin at Kemical Equation's mammoth
Expo-Center bash in Hartford, Connecticut. Kris also took care
of the wheels of steel duties at MTV's weekly Ibiza after-show
parties, during the summer months. The two continued to evolve
their own Book Of The Beats monthly nights in Brixton that
would provide an outlet in which art, film and their own
DJ'ing skills (involving the strict principle of party tunes
from all musical genres) could blend to form the ultimate good
time experience. From the late summer months onwards, this
would also transcend into monthly events at Terence Conran's
Great Easten Hotel in the financial district of London's
Liverpool Street, culminating in another monthly residency,
this time at New York's infamous Limelight club alongside
Tricky.
Whew! In addition to all this DJ activity, Kris Bones a.k.a.
Genaside II has developed another "personality" to record
under - King Hackit. King Hackit has already commenced work on
his full length album project with guest appearances from key
musical figures including: Finley Quaye, David McAlmont,
Faithless' Maxi Jazz, Beth Orton, Diane Charlemagne and the
Ultramagnetic MC's rap legend Kool Keith, here the
possibilities presenting themselves seem pretty much endless.
Finally, Kris is set to follow up 1999's Ad Finite with the
next sequel in the Genaside II saga. In addition to all the
DJing Kris has completed his most ambiguous project to date,
Return of The Redline Evangelist.
At the same time as involving his love of opera into the
equation, a more adventurous concoction of said style mixed in
amongst heavy hip hop and electro beats, speaker-blowing
reggae sub-bass and harmonies taken anywhere from Latin
through to classical is now underway.
Slated for a June 25th release G II's new long-player Return
Of The Red Line Evangelist has found itself in the comfortable
surroundings of US based record label Copasetik Recordings
(home to the Prodigy's Leeroy Thornhill, Terranova, Raco and
Dr. Dooom, etc.).
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For more information please contact Susan Mainzer at Green
Galactic, 323-466-5141 or email
susan@greengalactic.com.
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