The audio on this CD spans a period of Antenna
Farm's first two years of existence (1998 - 2000). Whilst the
tracks were edited and structured on a PowerBook, the original
material was mostly recorded and processed before they began
using a Mac, and witness a wide range of approaches, sounds
and styles.Antenna Farm have been active since late '98.
They started out as an improvising turntablist unit, mashing
together other people's records, using CDJs and occasionally
also guitars, radios, etc. After investing in a Zoom
Sampletrack, Atari/Cubase, and Minidisc, they moved more &
more into creating their 'own' material (less reliant on
others' sources). The cusp of this period saw them
collaborating live with their friends V/Vm and getting their
first tracks released (two tracks on FatCat sampler CDs, and a
remix of "Goodiepal" on the Danish label, Hobby Industries).
Since then, they have continued to update their set-up, and
to gig throughout Europe (including collaborations with Main,
Nish and Icelandic guitarist Petur Hallgrimsun). A
collaborative project with Main will be appearing on
Staalplaat in the summer of 2001. Other releases have included
a track on the much-lauded ERMX 7" Series (FatCat), and tracks
on compilations on Diskono, RKK, and Lo Recordings.
The music draws on, and is heavily influenced by, their
surrounding environment (and, specifically living in Brixton,
South London.) Both sounds and ideas are gathered from the
street and from walking around London - noise, mess, graffiti,
decay, paranoia, mad sprawl, etc. Much of the source material
they work with comes via location recordings. Alastair is
responsible for recording and compiling the recent One
Amazing Day CD on V/Vm (sounds he recorded whilst working
on construction of the Millennium dome). When they play live
they usually explore the town in which they are playing,
taking recordings from various locations, and then morph them
together with pre-programmed and synthetic sound.
The work on the Phthalo CD was taken mostly from
pre-existing structures and material, then broken apart and
put back together to reinvent new, fractured forms. Sometimes
forcing two different rhythms/constructions into the same
space, sometimes pulling the material apart to the point of
collapse, then inserting guitar sounds; playing the springs of
an old reverb unit with the casing removed; shorting out
simple electrical circuits and dirtying signals; recording
radio static and VLF radio signals and feed back loops through
effect units. Some of the tracks were recorded by transposing
'raw material' on to a hard disk recorder then editing and
multi-tracking, some were generated from recordings being
heavily manipulated with digital signal processing and some
were real-time recordings using turntables, samplers, CDs and
mini discs whose playing surfaces were interfered with.
Discography:
"Copenhagen Mix" (Antenna Farm^Jansky Noise live) on
Structure Decay sampler CD, FatCat, 1998 (no cat. no.)
"Prowler Reconstruction" on Passageways sampler CD,
FatCat, 1999 (FATP01)
"Macro Collaps" remix of "Goodiepal" 12", Hobby Industries,
1999 (HI002)
"Ambush Emiliana" remix, split 7" with Motion, FatCat,
2000. (284TP7)
"Gallery Hack" on Naked & Alone On The Celebrity Circuit
CD, Diskono, 2001
"Cracked" on Fresh Fruit CD, Lo Recordings, 2000
# # #
For more information please contact Lynn Hasty at (323) 466-5141 or
lynn@greengalactic.com.