1993

St. Joseph, Michigan - A cassette tape entitled "Libythth" recorded in my parent’s basement on a Roland "mall keyboard." You know the kind that brags "anyone can play." Pre-programmed beats representing various music styles including Rock 2, Samba, Swing and 16 Beat. These were set to high tempos and accompanied by me bashing away percussively on a folk-flute or bari sax or orch hit sound. Saved up money from my summer job at my Dad’s tombstone shop and bought a Roland R8 drum machine. Moved to Providence, Rhode Island for art school.

1994

There is a lively weirdo rock scene in Providence. Also a lot of raves. Rock shows cost $5. Raves cost $20. Deep hatred for ravers and dance music in general sets in. I am constantly recording synthesizer music - sort of resembles punk rock with vocals. Borrowing distortion pedals and microphones from rockers I live with. One day I come home and my apartment has been robbed. They took my keyboard, my drum machine and all my CDs. Libythth comes to a grinding halt.

1995

Evidently as a college student I was covered by renters’ insurance. I took my sizable claim and bought an Ensoniq TS12 sequencing MIDI keyboard which became the signature sound of Libythth to this day. Made dozens of new songs each week and started getting gigs in the Providence college circuit. I stood there and shouted lyrics into a mic while the TS12 played the sequences. Audience just stared. Recorded first full-length cassette of songs called Eternal Pain in Hell with Satan. Mostly off-kilter synth-rock about writing music itself. Sort of embarrassing now.

1996

Moved to Phoenix, Arizona for no good reason. Unemployed and writing lots of songs. Played at gigs at various "industrial nights", art galleries and skateboard shops to audiences of less than 10. Heard Aphex Twin for the first time. Someone else is making electronic music you’re not supposed to dance to!

1997

Moved to San Francisco and attended the California Recording Institute while working in a tombstone shop. A very small sound engineering school where I managed to produce 2 full length CDs on ADAT using my new professional engineering skills. These were called In God’s Loving Car, Pressed Up Against and Save As: Moot. They sound amazing and very few people give a crap. Also recorded a 20-minute collage of noise and found-sound called "Sack Blabbath."

1998

Got a sampler and moved to Brooklyn. Made an important decision not to bother with writing lyrics ever again. Electronic sounds are a language and there’s no point muddying them up with clumsy vocal crap that will just make the music sound dated within a year. Bought a DrumKat, which is a MIDI drum pad trigger module. I can now play the percussion parts with sticks like a real cave-man.

1999

Began doing production for WordSound records. Making beats and not being told what they were for. New York is a fucked-up city. Did a brief internship at a hip hop recording studio where I was basically an unpaid janitor. Thrilled to discover there is such a thing as hardcore techno. Recorded two breakthrough Libythth CDs without lyrics called Dizzolve a Diamond and Almost a Trillion Dollars. Emphasis on ultra-busy rhythms and odd unrecognizable samples and carefully avoiding reference to DJ culture. Started doing live shows where I played the DrumKat as a lead instrument and people went NUTS! Sold tons of CDs at a show in Providence opening for the Centimeters. This is what I have to do from now on.

2000

Moved to Los Angeles. Got hooked up with Phthalo Records which is releasing Dizzolve a Diamond and Almost a Trillion Dollars and a new one called Typey 1 Tapey which is an hour long load of improvised freakout, recorded in two days time on a Yamaha "mall keyboard" and resembles Libythth of 1994. Meeting other people who produce electronic music, mostly those who have releases on Phthalo. Got a Macintosh G4.

2001: Recorded new Libythth CD Plastic Dome Over Impact Crater. Currently working on ultra-violent speedcore project called Borbid Torpor.
 

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For more information please contact Lynn Hasty at (323) 466-5141 or lynn@greengalactic.com.