Hybrid Cinema

For Immediate Release:

LOS ANGELES, CA – December 29, 2011 – Hybrid Cinema, The Colburn School and the California Dance Institute (CDI) are pleased to announce the Los Angeles premiere of the feature length documentary Joffrey: Mavericks of American Dance at Zipper Concert Hall at The Colburn School on Wednesday, February 1, 2012 at 8:00pm.  Joffrey: Mavericks of American Dance, directed by Bob Hercules, is the first film to chronicle how the legendary Joffrey Ballet revolutionized American ballet by daringly combining modern dance with traditional ballet.  The Los Angeles premiere will include a Q&A immediately following the screening moderated by Sasha Anawalt, Director, Arts Journalism Programs at USC Annenberg School for Communication & Journalism, with panelists Leslie Carothers-Aromaa, Artistic Director of the Colburn School’s Trudl Zipper Dance Institute, Carole Valleskey, Founder and Director of CDI, Francoise Martinet Moriarty, former Joffrey dancer from the company’s earliest days in the late 1950s, and Jodie Gates, Artistic Director of the Laguna Beach Dance Festival, Associate Professor of Dance at UC Irvine and former Joffrey principal dancer.

General admission tickets are $20 and will go on sale the first week of January.  The Los Angeles event follows the film’s world premiere, which will be held at Dance On Camera Festival January 27th in NYC at Walter Reade Theater in Lincoln Center.  Zipper Concert Hall at The Colburn School is located at 200 South Grand Avenue, Los Angeles, CA 90012. Public parking is available at lots adjacent to the school and limited street parking is also available within the area.  For more information, please visit http://www.joffreymovie.com/

Joffrey Ballet Dancers April Daly & Fabrice Calmels 2007 Photo courtesy Joffrey Ballet

Synopsis –
Joffrey: Mavericks of American Dance
Director: Bob Hercules
Country: USA, 2012, 90min.
This insightful documentary, executive produced by Harold Ramis and Jay Alix and produced by Una Jackman and Erica Mann Ramis, examines the dynamic trajectory of the groundbreaking American ballet company – The Joffrey Ballet – which daringly combined traditional ballet and modern dance at a time when it was not routinely accepted. Weaving together a wealth of archival footage, behind-the-scene photos and interviews with former and current Joffrey star dancers, director Bob Hercules (Bill T. Jones: A Good Man) documents the struggles and achievements of the Joffrey from its newfound beginnings in 1956 to the Company’s present international success. The film features rare excerpts from many seminal Joffrey works including Astarte, Trinity and Billboards, as well as breakthrough collaborations with choreographers such as Twyla Tharp, Leonid Massine, Laura Dean, and Kurt Jooss. Founders Robert Joffrey and Gerald Arpino and a host of ballet notables, including Gary Chryst, Trinette Singleton, Helgi Tomasson, Kevin McKenzie and more, are featured in the film. Narrated by Tony® and Emmy® Award winner Mandy Patinkin, the film is a rich chronicle of a ballet company that continues to reinvent itself, raise the bar and invigorate audiences worldwide.  See list of full credits at http://www.imdb.com/title/tt1829041/fullcredits.

Gerald Arpino's "Light Rain" Photo credit: Herbert Migdoll

Distribution –
Following the film’s world premiere in NYC in late January, Joffrey: Mavericks of American Dance will embark on a U.S. tour through Spring 2012 with stops not only in Los Angeles but also in Chicago, San Francisco, Detroit, Aspen, St. Louis, and many other cities. Special one-off events with Joffrey alumni and limited theatrical engagements are planned. The documentary will then have a VOD/DVD/digital release in June of 2012 through New Video.

Simultaneous Screenings –
The film will also simultaneously premiere in theaters around the country via simulcast through Emerging Pictures network of theaters on the weekend of Saturday, January 28th. A pioneering project, this marks the first time a film has simulcast its world premiere out of a major festival (learn more here).  Audiences at screenings across the country will be able to participate in a Q&A session from the New York City world premiere through a live Twitter feed.  Visit http://www.emergingpictures.com/2011/12/19/joffrey for updates on exact theater locations.


Multimedia – The Expanded Joffrey Story –
Hybrid Cinema is also releasing multimedia companion projects with exclusive content for fans wishing to further explore the Joffrey legend beyond the film.  The first of these initiatives is a series of digital photobooks called Joffrey Maverick Moments.  Each new edition will be available for free from the film’s website and Facebook page.  The digital photobooks are based on themes and time frames found in the film with photos accompanied by quotes from Robert Joffrey, his friends and associates, as well as alumni interviews that provide further insight and background into the Company. Future Joffrey Maverick Moments may explore such themes as Joffrey’s Nutcracker through the years, Joffrey’s psychedelic rock ballet Astarte, Arpino’s most well regarded ballets (The Clowns, Trinity, Olympics, Round of Angels, Light Rain), and more.  Hybrid Cinema has started releasing a series of audio podcasts with exclusive new interviews of Joffrey alumni.  These podcasts utilize the SoundCloud platform and are available through the film’s Facebook page for fans only.  The multimedia companion projects will be released over the next few months, through the premieres and leading up to the DVD release in June.  Regular content, including film clips, bonus outtakes, and blog articles, is also available on the film’s website and YouTube channel.


Director Bob Hercules –
Bob Hercules is an award-winning veteran producer/director (Forgiving Dr. Mengele, Bill T. Jones: A Good Man, Senator Obama Goes to Africa).  The co-founder of Media Process Group, his work has been seen widely on PBS, The Discovery Channel, The Learning Channel and the Independent Film Channel (IFC). He has also directed commercials for the Chicago Symphony Orchestra, the Alzheimer’s Association, McDonald’s Corporation, Gap Clothing Stores and the Obama For President Campaign.  His documentary, A Good Man, co-directed by Gordon Quinn, chronicles the intense creative journey of Bill T. Jones – a 2010 Kennedy Center Honors recipient and two-time Tony® Award winner for Best Choreography.  It premiered on November 11, 2011 on PBS’ celebrated series American Masters.


The Joffrey Ballet –
For more than a half-century, The Joffrey Ballet’s commitment to taking world-class, artistically vibrant work to a broad and varied audience has created a solid foundation that continues to support the Company’s unprecedented capacity for achieving important “firsts.” Today, the Joffrey, which has been hugely successful in its former residences in New York and Los Angeles, lives permanently in a brilliant new facility, Joffrey Tower, in the heart of America – Chicago, Illinois. The Company’s commitment to accessibility is met through the most extensive touring schedule of any dance company in history, an innovative and highly effective education program including the much lauded Joffrey Academy of Dance, Official School of The Joffrey Ballet, and collaborations with myriad other visual and performing arts organizations.

Co-founded in 1956 by visionary teacher Robert Joffrey and dancer Gerald Arpino, who would become the organization’s principal choreographer, The Joffrey Ballet began as a DIY dance company of six dancers touring the United States in a borrowed station wagon. What started as a childhood dream quickly grew into one of the world’s most exciting and prominent ballet companies. Together, Joffrey and Arpino transformed the face of dance by merging classical ballet technique with bold new perspectives for edgy new ballets that challenged conventions. Aggressive touring took the Company from school auditoriums across America’s Heartland, to the White House at Jacqueline Kennedy’s invitation, on to Russia for a month-long tour during the height of the Cold War, and beyond.  They also garnered extensive media attention for their daring originality, which included appearances on The Ed Sullivan Show, the cover of Time Magazine, and in major motion pictures such as Save the Last Dance and Robert Altman’s The Company (which is based on the Joffrey).

Classically trained to the highest standards, The Joffrey Ballet expresses a unique, inclusive perspective on dance, proudly reflecting the diversity of America with its Company, audiences and repertoire, which includes major story ballets, reconstructions of masterpieces, and contemporary works. The Joffrey Ballet continues to thrive under internationally renowned Artistic Director Ashley C. Wheater and Executive Director Christopher Clinton Conway. The Joffrey Ballet has become one of the most revered and recognizable arts organizations in America and one of the top dance companies in the world. To learn more, please visit http://joffrey.org/.


The Colburn School/Zipper Hall –

The Colburn School’s mission is to provide the highest quality performing arts education in an optimal learning environment. Founded in 1950, The Colburn School was established as a small preparatory school in connection with the University of Southern California’s School of Music. The School became an independent, nonprofit institution in 1980 through the generous support of its benefactor, Richard D. Colburn. In 1998, The Colburn School moved to its current location on South Grand Avenue. One of LA’s most popular performance halls, the intimate 435-seat Zipper Hall at The Colburn School is home to many arts groups from the greater Los Angeles area, including the Los Angeles Chamber Orchestra, Camerata Pacifica, Southwest Chamber Music, Monday Evening Concerts, Lark Musical Society, and Piano Spheres. For more information, please call 213-621-4514 or visit http://www.colburnschool.edu.

The California Dance Institute –

California Dance Institute (CDI) is an in-school and after-school arts education program for low-income elementary school children that encourages discipline, self-expression and the pursuit of excellence through dance. CDI is the newest affiliate of the world-renowned National Dance Institute, founded in 1976 by New York City Ballet’s Jacques d’Amboise, and the subject of the Academy Award-winning film He Makes Me Feel Like Dancin’.  Directed by former Joffrey Ballet principal dancer, Carole Valleskey, the CDI program consists of weekly dance classes in the schools, primarily for 3rd – 6th grade students.  Today the program serves 1,400 students in eight elementary schools in which over 91% of students qualify for the Free Lunch Program (indicating income of less than $33,000 for a family of four). http://www.californiadanceinstitute.org


Hybrid Cinema –
Hybrid Cinema was created by filmmaker and author Jon Reiss (Think Outside the Box Office, Selling Your Film Without Selling Your Soul) to help filmmakers navigate the ever-changing world of film distribution and marketing.  Hybrid Cinema consults with filmmakers to help them with the new digital era of distribution and marketing by utilizing modern strategies of audience engagement, special theatrical events, as well as innovative merchandising and release patterns.  Hybrid Cinema also supervises film releases. Joffrey: Mavericks of American Dance is Hybrid’s second full release of a film following the graffiti documentary Bomb It.  Indicative of the innovative release and audience engagement strategies used by Hybrid, the Joffrey: Mavericks of American Dance release marks the first time that a film has simulcast its film festival world premiere throughout the U.S. as the launch of its theatrical release.  Hybrid Cinema orchestrated this pioneering release strategy by, among other things, bringing the participating organizations together for these milestone premiere events.  For more information on Hybrid Cinema, please visit http://www.hybridcinema.com/

Key Links –
Official Movie Site – http://www.joffreymovie.com/
Movie YouTube Channel – http://www.youtube.com/user/JoffreyMovie
Movie Facebook – http://www.facebook.com/JoffreyBalletMovie
Movie Twitter – http://twitter.com/#%21/JoffreyMovie
Joffrey Ballet Site – http://joffrey.org/

For more information, or to request screeners, images, and interviews, please contact Green Galactic’s Lynn Tejada at 213-840-1201 or lynn@greengalactic.com

(photo credit: Nabil Elderkin)

Award-winning film Bouncing Cats, the inspiring story of one man’s attempt to create a better life for the children of Uganda through hip hop, makes its US television premiere on Documentary Channel Saturday, November 19, 2011 at 8:00 p.m. (EST/PST). The film, narrated by Common and featuring interviews with Will.I.Am, and K’Naan, follows the legendary Crazy Legs of the Rock Steady Crew and b-boy Abramz, the founder of Breakdance Project Uganda (BPU), on a journey to unify, empower and inspire youth in the war torn region that has been called one of the worst places on earth to be a child.  The film, produced by Red Bull Media House and directed by Australian filmmaker and photographer Nabil Elderkin, toured the film festival circuit in 2010 and 2011, earning awards along the way at Urbanworld Film Festival, Newport Beach Film Festival, and Southern Utah International Documentary Film Festival, among others.  Proceeds from the film benefit BPU.

Award-Winning Documentary

Bouncing Cats
Premieres on Documentary Channel
Saturday, 
November 19, 2011, 8:00pm EST/PST


LOS ANGELES, CA – October 19, 2011 – Award-winning film Bouncing Cats, the inspiring story of one man’s attempt to create a better life for the children of Uganda through hip hop, makes its US television premiere on Documentary Channel Saturday, November 19, 2011 at 8:00 p.m. (EST/PST). The film, narrated by Common and featuring interviews with Will.I.Am, and K’Naan, follows the legendary Crazy Legs of the Rock Steady Crew and b-boy Abramz, the founder of Breakdance Project Uganda (BPU), on a journey to unify, empower and inspire youth in the war torn region that has been called one of the worst places on earth to be a child.  The film, produced by Red Bull Media House and directed by Australian filmmaker and photographer Nabil Elderkin, toured the film festival circuit in 2010 and 2011, earning awards along the way at Urbanworld Film Festival, Newport Beach Film Festival, and Southern Utah International Documentary Film Festival, among others.  Proceeds from the film benefit BPU. To learn more about the film, view the trailer at http://www.bouncingcats.com and join the conversation at http://www.facebook.com/bouncingcats.

“Bouncing Cats is just the sort of work that the world needs to see coming out of Africa, a story of self-reliance and perseverance against immeasurable odds,” says K’naan.

Encore presentations of Bouncing Cats will air on Documentary Channel November 25, 2011 at 6:00 p.m.; December 29, 2011 at 2:30 p.m.; January 26, 2011 at 9:30 p.m. and January 27th at 12:30 a.m.  All times are EST. Documentary Channel is available on DISH Network (Channel 197) and DirecTV (Channel 267).

UNITING THE CHILDREN OF UGANDA THROUGH BREAKDANCE & HIP HOP CULTURE

Breakdance Project Uganda started in February 2006 by Abraham “Abramz” Tekya out of the belief that hip hop can be used as a tool to engage and empower disadvantaged youth in Kampala and other areas of Uganda. Its mission is to engage young people in hip hop culture in order to build leadership skills and promote social responsibility for positive change.  The Project has attracted people from every walk of life and acts as a catalyst for building mutually beneficial relationships between people of different social strata across Uganda and the rest of the world. After a trip to Uganda with NGO Oxfam, and a chance meeting with Abramz, director Elderkin felt compelled to share Abramz’ story with the hope of shedding light on the situation and motivating viewers to help.

“The work Abramz is doing with the kids of Uganda inspired me,” said Elderkin. “It was something I wanted to capture and share with others.”

Over the past five years, BPU has partnered with not only Oxfam, but also local and international organizations including: MS Uganda, In Movement, People Concern Children’s Project, Danish Centre for Cultural Development, H.E.A.L.S. (Gulu), Global Youth Partnership for Africa, the Embassy of France in Uganda, Uganda FDNC, USAID/NUTI, Straight Talk Foundation (STF), and has carried out activities in orphanages, juvenile prisons, local and international schools, and youth and community centers. Details on BPU, the situation in Uganda and how to donate can be found at:  http://bouncingcats.com

BEHIND THE SCENES

“In short – the movie features some serious hip hop cameos, incredible landscapes, and dancing.” – Chris Farone, Boston Phoenix

The Film’s Title:
“Bouncing Cats refers to the sound made by the kids in Uganda when they have no access to a boombox,” Elderkin explains, shedding light on the film’s title, “They sing the words ‘bouncing cats, baboons and cats’ in repetition to create their own beat – I was quite taken by it.”

Principal Cast:
Abraham “Abramz” Tekya -
Abraham Tekya, commonly known as “Abramz,” is the director and founder of Breakdance Project Uganda, an organization launched in February 2006 that uses breakdance and other elements of hip hop culture to promote positive change and social responsibility. A native of Mengo, Kampala, Uganda, Abramz grew up quickly, as most children in Uganda are forced to. At the age of seven, he lost both of his parents to AIDS and was orphaned, shuffled between distant relatives and different homes. Despite these circumstances, Abramz used his life experience and love of hip hop to educate, inspire and unite youth in Uganda and beyond. http://www.bouncingcats.com/cast/tekya.php 



Richard “Crazy Legs” Colòn -
To call Richard “Crazy Legs” Colòn a pioneer is an understatement. It is nearly impossible to have a conversation about b-boying without giving mention to the legendary Crazy Legs. Not only is he a veteran of hip hop as a culture, boasting more than 3 decades as the driving force behind the hip hop dance movement, but he’s also an outstanding citizen and role model. He has lent his time, experience, and influence to aiding and encouraging the positive advancement of hip hop culture. http://www.bouncingcats.com/cast/crazylegs.php 

Jolly Grace Okot -
Jolly Grace Okot, a Nobel Peace Prize nominee, was among the first wave of children abducted and forced to be a child soldier in the beginning of Uganda’s civil war. She is the Uganda Country director for Invisible Children (IC) and has been involved with the organization since the beginning. Her guidance enabled Bouncing Cats‘ filmmakers to see and understand the plight of children in Northern Uganda, and her leadership and direction helped create IC’s initiatives on the ground. Okot also runs H.E.A.L.S., a program that provides play therapy for war-affected children.


Additional Credits:
Nabil Elderkin, Director -
Director Nabil Elderkin, originally a native of Australia, began his photography career when he picked up a camera to shoot portraits of fellow surfers. What started as a hobby, rapidly developed into a working career. From surf portraits, Elderkin began shooting musicians and anyone that inspired him. He later moved to the United States to continue to expand his career. Today, Elderkin lives and works in Los Angeles at his studio downtown. He shoots musicians, sports, fashion, and portraiture. Elderkin recently published a book titled Glow in the Dark with Kanye West through Rizzoli and has directed several music videos and documentaries from here to Africa. Traveling is his passion. He created the film in order to bring attention to the situation in Uganda as well as support the inspiring work Abramz is doing through BPU.   http://www.nabil.com

- 
Executive Producers: Amy Taylor, Scotty Bradfield, Karma Gardner, Charlie Rosene
- Producers: Nyla Hassell, George Mays, Claude Merkel, Charles Spano
- Film Editing: Isaac Hagy
- Sound Editor: Andrew Le Guier
- Genre: Documentary / Music
- Runtime: 75 minutes
- Country: USA
- Language: English
- Color: Color
- Filming Locations: Uganda, USA


Red Bull Media House -
Red Bull Media House is a global media company that creates compelling sports, culture 
and lifestyle programming and distributes it across multiple platforms. From film to 
television, print to digital and games, Red Bull Media House content is optimized for any 
device or platform. For more information, go to www.redbullmediahouse.com or contact Maddy Zeringue at 310-460-5110 or maddy.zeringue@us.redbull.com

Documentary Channel®-
Documentary Channel (DOC) is the USA’s first 24-hour television network exclusively devoted to documentary films and the independent documentary filmmaker, providing viewers with round-the-clock opportunities to see fascinating, eclectic and award-winning documentary films of all lengths and genres.  For more information on DOC, visit the network website at http://www.documentarychannel.com, in addition to http://www.facebook.com/DocumentaryChannel and http://www.twitter.com/doc_channel. Documentary Channel is available on DISH Network [channel 197] and DIRECTV [channel 267].  Don’t get the channel?  Request it by calling your cable provider or visiting http://www.documentarychannel.com/getdoc. Contact: Ashley Sandberg, Triple 7 Public Relations, 347-735-6480 or ashley@triple7pr.com

Through the Red Bull network, hi-res video and still images are captured and made immediately available for editorial use for all media channels including television, film, print, mobile, and digital. The content is centrally located in the Red Bull Content Pool for media partners at http://www.redbullcontentpool.com/.  See Bouncing Cats videos here.

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For more information, or to request screeners, images, and interviews, please contact Green Galactic’s Lynn Tejada (née Hasty) at 213-840-1201 or lynn@greengalactic.com.

Breakdance Project Uganda reaches youth in the slums of Kisenyi, Uganda (photo credit: Nabil Elderkin)

Joffrey Ballet founders Robert Joffrey & Gerald Arpino, early 1960's. Photo credit: unknown

Joffrey: Mavericks of American Dance, the first film to chronicle the legendary Joffrey Ballet, is set to premiere in New York City in January 2012 at the Dance On Camera Festival. The feature length documentary takes a look at this groundbreaking cultural treasure, known a s the first truly American dance company. Narrated by Tony® and Emmy® Award winner Mandy Patinkin and directed by Bob Hercules (Bill T. Jones: A Good Man), the film documents how the Joffrey revolutionized American ballet by daringly combining modern dance with traditional ballet, and setting it to pop and rock music scores. Following the North American premiere in late January, the film will embark on a theatrical tour to select cities in the U.S. Released through Hybrid Cinema, the documentary is expected to have a DVD release in the first quarter of 2012 as well.
For Immediate Release:

Hybrid Cinema Announces New Documentary

Joffrey: Mavericks of American Dance

Chronicling the History of the Groundbreaking Joffrey Ballet

Set to Premiere in New York City
January 2012

Followed by a Theatrical Tour in Select Cities


LOS ANGELES, CA – October 18, 2011 – Joffrey: Mavericks of American Dance, the first film to chronicle the legendary Joffrey Ballet, is set to premiere in New York City in January 2012 at the Dance On Camera Festival (see that press release here). The feature length documentary takes a look at this groundbreaking cultural treasure, known as the first truly American dance company. Narrated by Tony® and Emmy® Award winner Mandy Patinkin and directed by Bob Hercules (Bill T. Jones: A Good Man), the film documents how the Joffrey revolutionized American ballet by daringly combining modern dance with traditional ballet, and setting it to pop and rock music scores. Following the North American premiere in late January, the film will embark on a theatrical tour to select cities in the U.S. Released through Hybrid Cinema, the documentary is expected to have a DVD release in the first quarter of 2012 as well. For more information, please visit www.joffreymovie.com.

Joffrey Ballet founders Robert Joffrey & Gerald Arpino, early 1960's. Photo credit: unknown

Co-founded in 1956 by visionary teacher Robert Joffrey and dancer Gerald Arpino, who would become their principal choreographer, The Joffrey Ballet began as a DIY dance company of six dancers touring the United States in a borrowed station wagon. What started as a childhood dream quickly grew into one of the world’s most exciting and prominent ballet companies. Together, Joffrey and Arpino transformed the face of dance by merging classical ballet technique with bold new perspectives for edgy new ballets that challenged conventions. Aggressive touring took the Company from school auditoriums across America’s Heartland, to the White House at Jacqueline Kennedy’s invitation, on to Russia for a month-long tour during the height of the Cold War, and beyond.  They also garnered extensive media attention for their daring originality, which included appearances on The Ed Sullivan Show, the cover of Time magazine, and in major motion pictures such as Save the Last Dance and Robert Altman’s The Company (which is based on the Joffrey).

Joffrey: Mavericks of American Dance weaves a wealth of rare archival footage and photographs along with interviews featuring former and current Joffrey star dancers, showing the full history of the Company from its founding in 1956 to the present. It describes how the Joffrey repeatedly resurrected itself after devastating financial and artistic setbacks and introduced cutting-edge choreographers such as Twyla Tharp, Laura Dean and Margo Sappington to larger audiences.

The film features rare excerpts from many seminal Joffrey works including Astarte, Trinity and Billboards, as well as breakthrough collaborations with choreographers Twyla Tharp (Deuce Coupe), Kurt Jooss (The Green Table) and Leonide Massine (Parade).

 Featuring: Kevin McKenzie, Helgi Tomasson, Lar Lubovitch, Ashley C. Wheater, Gary Chryst, Trinette Singleton, Anna Kisselgoff, Adam Sklute, Christian Holder, Dermot Burke, Paul Sutherland, Francoise Martinet, Brunilda Ruiz, Jonathan Watts, Diane Consoer, Sasha Anawalt, and Hedy Weiss.

Joffrey: Mavericks of American Dance:
A Lakeview Films Production in association with Ocean Films
A Film by Bob Hercules
Executive Producers: Jay Alix & Harold Ramis
Producers: Una Jackman & Erica Mann Ramis
Writer/Director: Bob Hercules
Narrator: Mandy Patinkin
Directors of Photography: Michael Swanson & Keith Walker
Original Music Composition: Mark Bandy
Editing: Melissa Sterne
Run Time: 87m10s

Gerald Arpino rehearsal shot from the 1980s. Photo courtesy Joffrey Ballet.

About Director Bob Hercules –
Bob Hercules is an award-winning veteran producer/director (Forgiving Dr. Mengele, Bill T. Jones: A Good Man, Senator Obama Goes to Africa).  The co-founder of Media Process Group, his work has been seen widely on PBS, The Discovery Channel, The Learning Channel and the Independent Film Channel (IFC). He has also directed commercials for the Chicago Symphony Orchestra, the Alzheimer’s Association, McDonald’s Corporation, Gap Clothing Stores and the Obama For President Campaign.  His documentary, A Good Man, co-directed by Gordon Quinn, chronicles the intense creative journey of Bill T. Jones – a 2010 Kennedy Center Honors recipient and two-time Tony® Award winner for Best Choreography.  It premieres November 11, 2011 on PBS’ celebrated series American Masters.


About Narrator Mandy Patinkin –
Mandy Patinkin is an American actor of the Broadway stage, network television, and film. His credits include starring roles in musical theater presentations of Sunday in the Park with George, The Secret Garden, The Wild Party, Evita and Mamaloshen; television shows Chicago Hope, The Larry Sanders Show, Dead Like Me, and Criminal Minds; and the unforgettable Inigo Montoya in the 1987 comedy classic film The Princess Bride. Patinkin will be headlining on Broadway in November with Patti LuPone in An Evening with Patti LuPone and Mandy Patinkin and is currently starring in the new Showtime series Homeland with Claire Danes.


About the Producers –
The film was born through the friendship of legendary multi-hyphenate actor-producer-director-writer Harold Ramis (Ghostbusters, Caddyshack, Groundhog Day, Analyze This and SCTV) and first time producer Jay Alix.  Fans of the Joffrey, they both saw the need to interview Gerald Arpino before he passed. When they discovered that no documentary had ever been made of this legendary company, they decided now was the time.

Harold Ramis, Executive Producer –
Harold Ramis is a screenwriter, director and actor whose films include some of the most popular and influential comedies of our time – Animal House, Caddyshack, Stripes, National Lampoon’s Vacation, Ghostbusters, Back to School, Groundhog Day, Multiplicity, Analyze This, Bedazzled, Analyze That, The Ice Harvest and Year One. Among his numerous professional honors and awards, Ramis is the recipient of the American Comedy Award, the British Comedy Award, the BAFTA (British Academy) award for screenwriting (Groundhog Day), and the Just for Laughs Lifetime Achievement Award.  Four of his films were listed among the American Film Institute’s “100 Funniest Movies” and Groundhog Day was recently chosen one of the “101 Greatest Screenplays” by the Writers Guild of America. Harold Ramis has also directed several episodes of NBC’s acclaimed series The Office.

Jay Alix, Executive Producer –
Jay Alix is new to the documentary film world.  Having completed many private and corporate documentary projects, this film is his production debut for public distribution.  On the road to getting here, he was the founder, past chairman and president of AlixPartners, an internationally recognized firm of corporate turnaround, restructuring, performance improvement, and financial advisory professionals. He was also co-founder, chairman and past president of Questor Partners, a $1.2 billion investment fund focused on investing in turnarounds, underperforming and distressed companies, as well as special situations.

Una Jackman, Producer –

Una Jackman founded the Detroit Friends of the Joffrey Ballet in 2000, an organization that brought the Joffrey to perform at The Detroit Opera House for the past ten years and continues to have a presence in Detroit each year. Jackman was first introduced to Gerald Arpino and The Joffrey Ballet in 1980. While serving as a board member of Dance with Altitude in Telluride from 1995 to 2000, where the Joffrey enjoyed a summer residency for five years, she developed a close friendship with Arpino and the two conceived of the Detroit Friends organization. The making of this documentary, particularly doing the final interviews with him, is her way of paying tribute to Arpino’s life’s work and to the Company he co-founded.



Erica Mann Ramis, Producer –
Erica Mann Ramis is a poet and writer who has spent most of her life in and around the film industry. Her connection with the Joffrey began fifteen years ago when she met  Arpino. Ramis’ lifetime love of ballet and modern dance came to fruition when she and husband, filmmaker Harold Ramis, connected with Jay Alix and Una Jackman, and they resolved to document Arpino’s life and the history of The Joffrey Ballet.


The Joffrey Ballet Mission –
The Joffrey is a world-class, Chicago-based ballet company and dance education organization committed to artistic excellence and innovation, presenting a unique repertoire encompassing masterpieces of the past and cutting-edge works. The Joffrey is committed to providing arts education and accessible dance training through its Joffrey Academy of Dance and Community Engagement programs.


About The Joffrey Ballet –
For more than a half-century, The Joffrey Ballet’s commitment to taking world-class, artistically vibrant work to a broad and varied audience has created a solid foundation that continues to support the Company’s unprecedented capacity for achieving important “firsts.” Today, the Joffrey, which has been hugely successful in its former residences in New York and Los Angeles, lives permanently in a brilliant new facility, Joffrey Tower, in the heart of America, Chicago, Illinois. The Company’s commitment to accessibility is met through the most extensive touring schedule of any dance company in history, an innovative and highly effective education program including the much lauded Joffrey Academy of Dance, Official School of The Joffrey Ballet, and collaborations with myriad other visual and performing arts organizations.

Classically trained to the highest standards, The Joffrey Ballet expresses a unique, inclusive perspective on dance, proudly reflecting the diversity of America with its Company, audiences and repertoire, which includes major story ballets, reconstructions of masterpieces and contemporary works. Founded by visionary teacher Robert Joffrey in 1956, guided by celebrated choreographer Gerald Arpino from 1988 until 2007, The Joffrey Ballet continues to thrive under internationally renowned Artistic Director Ashley C. Wheater and Executive Director Christopher Clinton Conway. The Joffrey Ballet has become one of the most revered and recognizable arts organizations in America and one of the top dance companies in the world. To learn more, please visit http://joffrey.org.

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For more information, or to request screeners, images, and interviews, please contact Green Galactic’s Lynn Tejada (née Hasty) at 213-840-1201 or lynn@greengalactic.com.

Joffrey Ballet founders Robert Joffrey & Gerald Arpino. Photo courtesy Joffrey Ballet.

The Artivist Collective

Celebrate the Artivist Film Festival’s Winning Films And
Award Honoree Kristen Bell
At the Festival’s Closing Night Ceremony
Saturday, August 20, 2011
-
Artivist Film Festival at the Egyptian Theatre in Hollywood
Thursday 8/18 – Saturday 8/20

LOS ANGELES, CA – August 16, 2011 – The Artivist Collective presents its 8th annual Artivist Film Festival August 18, 19, 20, 2011 at the historic The Artivist Collective presents its 8th annual Artivist Film Festival August 18, 19, 20, 2011 at the historic Egyptian Theatre in the heart of Hollywood, California.  This year the closing night awards ceremony will take place on Saturday, August 20th from 6:00 to 10:00PM.  Highlights include the Artivist Awards given to ten films and Artivist Award Honoree Kristen Bell, known for her film (Forgetting Sarah Marshall, Burlesque, etc.) and television work (Heroes, Veronica Mars, etc.), as well as her philanthropy (Alzheimer’s Association, Invisible Children, PETA, SCPA, etc.).  Actress Rachel Bilson will present the award to Bell.  Also on hand will be Master of Ceremonies Dan Nainan and presenters Persia White and Marco Antonio Regil.  The closing night ceremonies are complimentary to the press and public (as is the entire festival) but seats are limited and must be reserved in advance. in the heart of Hollywood, California.  This year the closing night awards ceremony will take place on Saturday, August 20th from 6:00 to 10:00PM.  Highlights include the Artivist Awards given to ten films and Artivist Award Honoree Kristen Bell, known for her film (Forgetting Sarah Marshall, Burlesque, etc.) and television work (Heroes, Veronica Mars, etc.), as well as her philanthropy (Alzheimer’s Association, Invisible Children, PETA, SCPA, etc.).  Actress Rachel Bilson will present the award to Bell.  Also on hand will be Master of Ceremonies Dan Nainan and presenters Persia White and Marco Antonio Regil.  The closing night ceremonies are complimentary to the press and public (as is the entire festival) but seats are limited and must be reserved in advance.  To do so please visit http://www.brownpapertickets.com/event/193484.  The Egyptian Theatre is located at 6712 Hollywood Blvd., Los Angeles, CA 90028.  To learn more about the festival please visit http://festival.artivist.com.

This year the festival will present a total of 41 independent narrative and documentary films from around the globe over the course of the three-day festival, which kicks off on Thursday, August 18th at 5:00PM.  Seats for many of the screenings can be reserved in advance by visiting http://www.brownpapertickets.com/producer/69318.  Advance reservations are highly recommended since most, if not all, screenings and events are expected to “sell out.”  To view the At-A-Glance three-day schedule please visit:  http://festival.artivist.com/film-guide/viewing-schedule.html.  To read a synopsis about all festival films please visit:  http://festival.artivist.com/film-guide.html.

During the closing night ceremony ten Artivist Awards will be presented to films that embody the festival’s mission to strengthen the voice of activist artists – Artivists – while raising public awareness for social global causes.  The evening of August 20th begins at 6:00PM with red carpet arrivals.  The awards presentation commences at 7:00PM and an after-party in the Egyptian Theatre’s courtyard gets underway immediately following the Awards Ceremony.

Ten participating films have been chosen to receive a 2011 Artivist Award in these five categories:

• Human Rights:
- Best Feature:  Because We Were Beautiful (Indonesia, Netherlands), Director Frank van Osch
- Best Short:  Umoja: No Men Allowed (Kenya, Australia), Director Elizabeth Tadic

• Children’s Advocacy:
- Best Feature:  Surfing Soweto (South Africa), Director Sara Blecher
- Best Short:  Grace (Philippines, Switzerland), Director Meagan Kelly

• Environmental Preservation:
- Best Feature:  Spoil (Canada, U.S.), Director Trip Jennings
- Best Short:  The Leaves Keep Falling (Vietnam, USA), Director Julie Winokur

• Animal Advocacy:
- Best Feature: Green (Indonesia, France), Director Patrick Rouxel
- Best Short:  Saving Pelican 895 (USA), Director Irene Taylor Brodsky

• Artivist Spirit:
- Best Feature: Love Hate Love (USA), Directors Don Hardy, Dana Nachman
- Best Short:  Crooked Beauty (USA), Director Ken Paul Rosenthal

- To read more about the films and filmmakers honored with these awards please visit:  http://www.artivist.com/festival/media/press-releases/23675-2011-film-awards.html

The Artivist Film Festival and Awards are dedicated to recognizing activist efforts of filmmakers, specifically in the areas of human rights, child advocacy, environmental preservation, and animal welfare.  Each year the festival also honors celebrity advocates.  Past honorees include Peter Fonda, Olivia Wilde, Hank Azaria, Ted Danson, Alyssa Milano, Daryl Hannah, Matthew McConaughey, Joaquin Phoenix, James Cromwell, Mira Sorvino, Tippi Hedren, Mike Farrell and Ed Begley, Jr.

This year, Artivist proudly welcomes back Petrobras as its Official Community Partner.  Since 2004, Petrobras has supported the growth of the international Artivist Film Festival and Artivist Awards.

KPFK (http://www.kpfk.org) reprises their role as a media sponsor this year.

The festival is also sponsored proudly by Kanon Organic Vodka (http://www.kanonvodka.com) and Hansen’s Natural (http://www.hansens.com).

About Petrobras –
Petrobras, a Brazilian energy company, has a 30 year history of distributing ethanol from sugar cane as fuel for vehicles, and is now committed to increasing the production and exports of ethanol.

At its new research center, scientists are looking for ways to produce ethanol from farming byproducts, which can increase production without the need for more farming land.

Petrobras is the largest funder of Cultural Arts Programs in Brazil, and a partner of hundreds of social, animal welfare, and environmental projects, such as the protection of endangered sea turtles, spinners dolphins and the manatee, as well as initiatives on carbon capture, water protection, biodiversity, and climate change.  As the only company in the energy sector that is part of the Global Compact Board of the United Nations, Petrobras commits its corporate governance to the 10 principles set forth by the United Nations.

Understanding the interdependence between humanity, animals, and the environment is crucial in our global community. By working with individuals and groups, organizations and companies, we can create long-term solutions to our global problems (http://www.petrobras.com.br/en).

About Kristen Bell –
Bell, an avowed vegetarian since age 11, has a long history of working with charitable and NGO-related causes. She traveled to Brazil as a volunteer while a student at New York University.  While there, she helped medics deliver two babies during her work in an underprivileged community. During the time she lived in Michigan, Bell fostered animals from Michigan Humane Society, and she now supports the San Diego-based Helen Woodward Animal Center.

She also advocates for Invisible Children, which works to create awareness of the plight of the people of Northern Uganda, the voter education charity Declare Yourself as well as such well known charitable organizations such as PETA, SCPA and the Alzheimer’s Association. She was a member of the 2007 American Red Cross National Celebrity Cabinet.

“I believe empathy is our most important impulse. Helping others is what makes human beings great. I am just responding where I see my skills can help meet a current need, and I think we have a duty to protect and love one another. 

Artivist embodies these principles and helps bridge the gap between awareness and action,” says Bell.

Internationally known for her work in Veronica Mars and in the films Burlesque (with Cher and Christina Aguilera) and When In Rome (in which she starred opposite Josh Duhamel), she will next be seen starring in the new Showtime series House of Lies, opposite Don Cheadle, premiering in January 2012.  Soon after, she will be seen in Universal Pictures’ film Everybody Loves Whales, opposite Drew Barrymore and John Krasinski, being released on January 13, 2012.  She also recently wrapped filming Movie 43, for the Farrelly Brothers, which is being released on April 13, 2012.  Currently, Bell is filming the feature film Outrun, for director Dax Shepard.

About Rachel Bilson –
Rachel Bilson’s latest production, her CW pilot Hart of Dixie, will premiere on September 26, 2011.  She also recently wrapped the independent film L!fe Happens opposite Kate Bosworth.  Other film credits include starring as the female lead in Waiting for Forever as well as in Jumper for 20th Century Fox Studios, as well as The Last Kiss, with Zach Braff, which was directed by Tony Goldwyn for Paramount.  She also stared opposite Andy Garcia in a film comprised of a series of shorts called New York, I Love You.   Bilson has also appeared twice as a guest star on the hit television series How I Met Your Mother as well as Josh Schwartz’s Chuck.  Other TV credits include The OC (a series regular for four seasons on the Fox Network) and guest-starring roles on That ’70s Show, Mad TV, 8 Simple Rules, and Buffy the Vampire Slayer.

The Artivist Film Festival, Artivist Satellite Festivals, and Awards –
The Artivist Collective (www.artivists.org) presents the only film festival specializing in progressive issues of the environment, social justice and animal rights.  Since its inception in 2003, Artivist Film Festival has screened 400+ films representing more than 60 countries, and has produced film festival tours in Los Angeles, New York, London, Tokyo, Mexico City, and Lisbon, that have reached more than 35 million people.

Earlier this year, Artivist Film Festival launched a nationwide expansion of its programming with simultaneous screenings in six cities in the U.S., beyond its traditional annual programs in Los Angeles and New York. The other cities included Austin, Atlanta, Chicago, Seattle, Sedona and Washington D.C.

Among the films presented at the Artivist Film Festival over the years have been Academy Award winner Born Into Brothels and Academy Award nominee Super-Size Me as well as the Los Angeles Premiere of critically-acclaimed documentaries God Sleeps In Rwanda, Fast Food Nation, Emmanuelle’s Gift, Zeitgeist, Trudell, Stolen Childhoods, and Regeneration.

The Artivist Film Festival has been publicly endorsed by internationally recognized NGOs such as Amnesty International, Unicef – The United Nations Children’s Fund, HSUS – Humane Society of the United States, Global Green, Greenpeace, by Claes Nobel of the Nobel Prize Family, and by the United Nations Department of Public Information.

For more information, photos, or to arrange an interview, please contact Green Galactic’s Lynn Tejada (née Hasty) at 213-840-1201 and lynn@greengalactic.com.

William Castle (by Leland Cheong/Honolulu Advertiser)

Known for his ingenious marketing gimmicks, legendary horror film producer and director William Castle (1914-1977) has returned from the dead with his first new work in decades, From the Grave: The Prayer (Volume 1), a novel for young adults.  Due out this Halloween season in early October 2011, the 75,000-word book set in Hollywood and Southern France is a compelling thriller infused with history, suspense, and horror.  Dubbed “The Master of the Macabre” and “King of the Gimmicks,” Castle was internationally famous for producing Rosemary’s Baby (1968) and producing/directing countless horror classics such as House on Haunted Hill (1959) and The Tingler (1959).
For Immediate Release:                                                                                                                                            August 4, 2011

“Master of the Macabre” William Castle (1914-1977) Is Back!
The Legendary Horror Filmmaker Has Penned a Chilling Young Adult Novel
From The Grave: The Prayer
To Be Released This Halloween – October 2011
By The Recently Resurrected William Castle Productions

LOS ANGELES, CA – Known for his ingenious marketing gimmicks, legendary horror film producer and director William Castle (1914-1977) has returned from the dead with his first new work in decades, From the Grave: The Prayer (Volume 1), a novel for young adults.  Due out this Halloween season in early October 2011, the 75,000-word book set in Hollywood and Southern France is a compelling thriller infused with history, suspense, and horror.  Dubbed “The Master of the Macabre” and “King of the Gimmicks,” Castle was internationally famous for producing Rosemary’s Baby (1968) and producing/directing countless horror classics such as House on Haunted Hill (1959) and The Tingler (1959).  Castle’s new book will be available in print and eBook versions ($15.99 and $9.99 respectively) via Amazon, Kindle, NOOK, and iBooks through the recently resurrected William Castle Productions (ISBN 978-0615507576 and eBook ISBN 978-1-4507-8404-7).

William Castle - Photo Credit: Leland Cheong, Honolulu Advertiser

“My dad was notorious for both his spine-tingling movies as well as the legendary gimmicks he devised to drive people to the theater again and again,” says his daughter Terry Castle who helms William Castle Productions. “And now, for his latest and perhaps greatest marketing gimmick yet, Dad has written “From the Grave.”  He’s really outdone himself this time!”

Indeed, Castle is as famous for his ongoing gimmicks as he is for the films themselves.  As film critic Sean Axmaker recounts in this review for Turner Movie Classics, “Director William Castle was an ambitious journeyman looking for his breakout film when he hit upon his winning formula with Macabre, a low-budget 1958 thriller that sold its onscreen shock effects with promotional ballyhoo.  In a brainstorm of publicity ingenuity, Castle issued an insurance policy (backed by Lloyd’s of London) to cover all ticket buyers against ‘death by fright.’ The campaign was a success, the film was a hit, and Castle found his new persona: a B-movie P.T. Barnum by way of Alfred Hitchcock. He launched a new gimmick with each succeeding horror film and took to personally promoting and introducing his films, just like Hitchcock was doing on television.”

Castle’s marketing exploits are well documented.  View these two recent articles to learn more (including video clips): “Top 10 William Castle Film Gimmicks” and Film School Reject’s “6 (non 3D) Movie Gimmicks From the Warped Mind of William Castle.”

From the Grave: The Prayer Synopsis –

As the Gypsies gather in the ancient village of Les-Saintes-Maries-de-la-Mer for the annual celebration honoring their patron saint, a mystical convergence of events brings four adolescents together at a haunted house and sets them on a perilous quest to locate a centuries-old manuscript that holds the power to release the devastating force of the Ancient Ones upon the Earth.

Fifteen-year-old Sarah and her younger brother Luca are lonely Gypsy kids who travel about Europe with their parents. Forced by their Gypsy father to beg and pick pockets for money, Sarah and Luca find it impossible to earn their father’s approval. Fifteen-year-old Edgar cannot stand his parents (and the feeling is mutual) when the family moves from New Jersey to France so that his parents can live out their dream of being French aristocracy. Fourteen-year-old Aleck’s world is turned upside down when his parents are killed in a car crash and his older sister decides that he would be better off in France with their Aunt and Uncle whose real concern is their own lavish lifestyle.

Beset by their parents and guardians, the four young people must also survive the mercurial activities of a spirit haunting the house that holds clues to the location of the manuscript that is also sought by a secret society bent on locating it for its own purposes. In a frenzied chase that takes them from the ancient villages of Provence through the blood-soaked quarries of Roussillon to the macabre catacombs of Paris, the four must put aside their differences and suspicions to outwit the evil forces who will stop at nothing to get their hands on the ancient book.

William Castle –
Born in New York City in 1914, William Castle made horror films in the 1950s, 1960s, and 1970s and lived his life scaring the living daylights out of people with the numerous horror films he produced and/or directed.  Macabre (1958), House on Haunted Hill (1959), The Tingler (1959), 13 Ghosts (1960), Mr. Sardonicus (1961), Homicidal (1961), Straight Jacket (1964), and Rosemary’s Baby (1968) are a few of his classic credits, the second and third films starring Vincent Price in career-defining roles. In addition to directing and producing, he also made many appearances in films (his own and others) such as Shampoo (1975) and The Day of the Locust (1975).  He also appeared in a non-speaking part in Rosemary’s Baby as the grey-haired man lurking outside the phone booth while Mia Farrow attempts to get in touch with her obstetrician.

Castle is perhaps best known, however, for the marketing strategies he developed to get his fans into theaters. In addition to the tingled butts of movie-goers at The Tingler screenings and insuring moviegoers against death by fright for Macabre, he also created “Illusion-O” a ghost viewer/ghost remover for 13 Ghosts, a “Punishment Poll” for Mr. Sardonicus, and Homicidal audiences were introduced to “Fright Breaks” and the “Coward’s Corner.”  He also introduced audiences to new film techniques such as “Percept-O” and “Emerg-O.”

At 15, he began his career on Broadway, securing his first acting role by passing himself off as Samuel Goldwyn’s nephew.  He began his directing career at the age of 18 with a stage production of Dracula before graduating to work as an assistant to director Orson Welles, doing much of the second unit location work for Welles’ noir classic, The Lady from Shanghai (1947). John Goodman’s character in Matinee (1993) was based on Castle. His 1976 autobiography, Step Right Up, I’m Gonna Scare the Pants Off America, was reprinted in 1991 with a foreword by John Waters, who eulogized Castle thusly, “Without a doubt, the greatest showman of our time was William Castle.  King of the Gimmicks, William Castle was my idol.  His films made me want to make films.  I’m jealous of his work.  In fact, I wish I were William Castle.” Castle died of a heart attack in Los Angeles on May 31, 1977.

Terry Castle –
Terry Castle, the real life daughter of cult filmmaker William Castle, grew up in Los Angeles with a dad who made a living scaring the wits out of moviegoers everywhere. Although he was internationally famous, to her he was always just dad, though a larger than life one at that.  While she was growing up in the 1960s her father taught her interesting life skills such as the best recipe for fake blood, the proper way to hold an ax, and how to act out the most terrifying of ghost stories. After working as a writer and producer for years for CNN, Travel Channel, and Nickelodeon/MTV-Networks, she worked with Dark Castle Entertainment (Joel Silver and Robert Zemeckis’ production company named after her father).  At Dark Castle she co-produced and consulted on the remakes of two William Castle films to make the plots even more frightening: House on Haunted Hill (1999) and Thir13en Ghosts (2001). Her soon to be released book, FearMaker: Family Matters, is an homage to her father (he’s a ghost writer on it actually!). Much of what lies within the pages of both The Prayer and Nightmare in Beverly Hills is based on real life occurrences shared by the two Castles.  Horror is in her blood, as she carries on her father’s wicked tradition of scaring innocent souls everywhere.

William Castle Productions –
Since the 1950s, William Castle Productions has been dedicated to scaring America with dozens of film and television releases.  The production company is best known for films Rosemary’s Baby (1968), House on Haunted Hill (1959), and The Tingler (1959). Dormant for a number of years after Castle’s death in 1977, the production company has been re-animated in recent years by the ghost of William Castle in collaboration with his daughter Terry Castle.  In addition to From the Grave: The Prayer, William Castle Productions will soon release another new book, FearMaker: Family Matters written by Terry and William Castle.  Additional new film, television, theater, and DVD projects are also currently in the works.

On May 31, 2010 – the 33rd anniversary of his death – Castle began communicating with his many fans again via social media networks not available to him prior to 1977.  He is now communicating through his Facebook page, Twitter (@billcastle), and his personal blog http://williamcastle.com, from the grave.

“I suspect that the development of the social mediaverse has a lot to do with why Dad came back,” says his daughter, “He’s having a blast with Facebook, his blog, and Twitter – with so many cool toys to play with, there’s no telling what Dad will do next!  It’s going to be really interesting to see what he does with it all.”

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For more information, a copy of the book, photos, or to arrange an interview, please contact Green Galactic’s Lynn Tejada (née Hasty) at 213-840-1201 and lynn@greengalactic.com.

Dance Camera West

For Immediate Release:  February 3, 2011

Dance Camera West Announces
10th Anniversary Dance Media Film Festival & Conference
Dance Media: An Active Spectrum
Los Angeles – June 16 – 19, 2011

LOS ANGELES, CA – Dance Camera West (DCW), recognized internationally for its annual presentation and celebration of dance on screen, announces its 10th Anniversary Dance Media Film Festival & Conference.  This year’s festival, entitled Dance Media: An Active Spectrum, which will also include a conference component, takes place at several venues around Los Angeles from Thursday, June 16 to Sunday, June 19, 2011. In addition to a full program of provocative screenings, this year’s special anniversary event will also include a unique series of educational events, guest speakers, and networking opportunities for the international dance media community.  DCW once again partners with the city’s most prominent venues to offer this year’s screenings, installations, and panel discussions with visiting international artists. Please visit DCW’s website for continuous updates at www.dancecamerawest.org.

“In celebration of our decade milestone, we have added a full day conference of presenters and panels to our four day festival schedule,” says DCW Executive Director Lynette Kessler, “In addition to educating, inspiring, and empowering artists, our goal this year is to serve as a catalyst for dance media distribution opportunities while, at the same time, create greater access for new audiences.”

Dance Media: An Active Spectrum -
Dance media, or any media for that matter, has evolved beyond the traditional theater-based cinematic experience which requires today’s media makers to create work with a multitude of platforms in mind.  The “active spectrum” of opportunity today includes multi-screen installations, mobile applications, websites, online social networks, and more.  DCW’s special anniversary panel discussion program will, among other things, take a look at transmedia storytelling that offers creators an opportunity to reach fragmented audiences by adapting productions to new modes of presentation.

Poised at the intersection of dance media’s artistic, academic, and commercial pursuits, Dance Camera West is uniquely positioned to facilitate a robust discussion on the blending of art, technology, and commerce.  The anniversary project will provide a necessary forum for facilitating real-time discussions and international networking opportunities for leading artists, local audiences, and emerging practitioners through panel discussions, talkbacks featuring prominent directors and choreographers, multiple programs of experimental international short dance films, installations and documentaries with special guests.

“Dance media is a technological medium,” adds Kessler,  “Whatever hardware is used for viewing  — computer screens, handheld devices, home projectors, etc. — audiences are now in the position to demand when they want to see work, where they want to see it, and what format they want it in.  All those technological options, along with great content, need to be delivered by dance media makers.”

Dance Media -
Dance on screen, or “screendance,” is a unique cinematic experience that focuses on the intersection of cinematography and choreography. The festival includes this as well as all forms of dance media. The hybrid screendance medium is diverse, encompassing a broad range of cinematography styles, exhibition formats, and subject matter traversing global perspectives.  The festival includes everything from experimental shorts to documentaries – ranging from surreal visual abstractions to strict narratives.

Dance Camera West’s Tenth Anniversary Highlights-
Dance Media: An Active Spectrum, Dance Camera West’s Tenth Annual Dance Media Film Festival & Conference, opens at The Getty Center with a screening and special guests on Thursday, June 16, 2011. The next day, Friday, June 17, DCW will bring together artists, dancers, educators, and film/television industry professionals for a full day of panel discussions followed by an outdoor screening at a venue TBA. Panels cover the state of the art, distribution, funding, art and commerce, as well as the future of dance media.  DCW will then present two days of screenings and a director’s roundtable at the Hammer Museum’s Billy Wilder Theater on Saturday, June 18 and Sunday, June 19.

“Dance Camera West seeks to ensure that Los Angeles remains an international hub for dance media, inspiring and supporting artists and audiences from all corners of the globe,” says Kessler, “We are bringing together the best in today’s dance media to help commemorate our tenth anniversary.”

Lynette Kessler -
Dance Camera West founder and executive/artistic director Lynette Kessler is an accomplished dancer, choreographer, and media artist with an MFA in Dance from the University of Michigan and a BFA in Dance from York University in Toronto. Known for her innovative collaborations and dance work for the screen that have been shown in film festivals worldwide, Kessler has received numerous awards including a Lester Horton Dance Award, Alden B. Dow Creativity Fellowship, and an artist residency at Headlands Center for the Arts. She recently made panel presentations at IMZ Dancescreen/Cinedans in Amsterdam and at the Latin American Video Danse Forum in Brazil. She is a founding member of the international Media & Dance Network (MAD), has served on selection committees for EMPAC Commission (Experimental Media and Performing Arts Center), American Choreography Awards, Dance on Camera Festival in New York, Moving Pictures Festival of Dance on Film in Toronto, CHIME (Choreographers in Mentorship Exchange), and is a guest lecturer at UCLA, UC Irvine, and Cal Arts. Kessler sits on the board of directors for the Buckminster Fuller Institute and the California Ear Unit. She is an active member of the advocacy groups: Arts for LA, California Arts Advocates, and Americans for the Arts. And she’s also on the Media Arts Advisory Committee to guide the new Media Arts initiative creating a fifth arts discipline for Los Angeles Unified School District (LAUSD).

Dance Camera West -
Dance Camera West is a nonprofit organization committed to fostering and promoting the vibrant art of dance media from around the world. DCW connects diverse cultures and environments through its exploration of dance on screen, bringing thousands of challenging and provocative films to Los Angeles from around the globe, effectively bridging the gap between the uniquely influential Los Angeles film community and the significant local dance populace. The organization is unique in its artistic purpose, as no other organization in Los Angeles offers audience exposure to such a diverse range of work by international dance companies.  DCW also strives to create a broader and more engaged audience for dance and dance media by merging both performance and cinematic aesthetics. DCW is one of only a handful of organizations in the world that present the thought-provoking adventure of dance media and the only one of its kind on the West Coast.  Known as one of the world’s premiere presenters of dance media, Dance Camera West aspires to awaken and infuse the public mainstream with critical creative programming.  DCW has expanded the audience for dance in Southern California with the presentation of more than 2,000 dance films from 47 countries since its inception in 2002.

Annual DCW dance media events have been extremely well received by local and national media. The Los Angeles Times has twice named the festival “Best of LA.” LA Magazine selected the festival as its “Pick of the Month,” and Angeleno included the festival in its “Top Ten List” in 2010. DCW was also voted one of the “Top 25 Dance Organizations to Watch” by Dance Magazine in 2005 and 2006.  FOX News has aired three-minute features on the festival for the past three years, and Moving Pictures Magazine ran a full-page feature article with photos.  Publicity also flows from influential online outlets such as The Huffington Post, which ran a full review of the festival in June 2010, and flavorpill, which selected the festival as its “Hot Tip” of the Week for several years. Additional press coverage is available at: dancecamerawest.org/press_archives.htm

This year’s 2011 Dance Camera West anniversary event is supported in part by Mortimer Levitt Foundation, Metabolic Studio of the Annenberg Foundation, National Endowment for the Arts, City of Los Angeles Department of Cultural Affairs, and Los Angeles County Arts Commission.

“Dance Camera West has had a tremendous impact during its first ten years, building audiences not only for dance media but for all dance.  Our ongoing support for artists, both locally and globally, inspires new work to be created, as artists know that Dance Camera West supplies a critically important platform for disseminating this very special art form,” says Kessler summing up the festival’s relevancy.

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For more information, press passes, photos, or to interview DCW’s founder Lynette Kessler, please contact Green Galactic’s Lynn Tejada (née Hasty) at 213-840-1201 or lynn@greengalactic.com.

Banner credits moving from left to right:

Image One
Film Title: For Water
Director: Natalie Metzger
Photographer: Robert Allaire
Choreographer: Natalie Metzger
Dancers: Lisa Long, Anne Moore, Dewi Nurnaeny, Cherise Richards, Helda Yossiana

Image Two
Film Title: Aqua-Booty
Director: Marta Renzi
Dancers: Alethea Pace, Jen Queliz, Jenny Tortorello, Tina Vasquez

Image Three
Film Title: Ecstasy Forbidden
Director: Jonny Silver
Photographer: Marlena von Kazmier
Dancers: Lucy Rupert and Danny Wild
Choreographer: Claudia Moore

Image Four
Film Title: Body of War
Director/Photographer: Isabel Rocamora,
Dancers:  James Hobson and Krysztof Szczenpanski

Breakdance Project Uganda reaches youth in the slums of Kisenyi, Uganda (photo credit: Nabil Elderkin)

Award-winning film Bouncing Cats, the inspiring documentary of one man’s attempt to create a better life for the children of Uganda through hip hop, is on the festival circuit making its way around North America along with limited sneak peek screenings and benefit events.  Narrated by Common and featuring interviews with Will.I.Am, and K’Naan, the story follows the legendary Crazy Legs of the Rock Steady Crew and b-boy Abramz, the founder of Breakdance Project Uganda (BPU), on a journey to unify, empower and inspire youth in the war torn region that has been called one of the worst places on earth to be a child.*  The film, by director Nabil Elderkin, recently won “Best Documentary Feature Film” at the Urbanworld Film Festival in New York, “Outstanding Achievement in Documentary Filmmaking” at the Newport Beach Film Festival, and “Audience Favorite Award” at Southern Utah International Documentary Film Festival.

For Immediate Release:  October 28, 2010 [updated: 1/17/11]

Inspiring Documentary
Bouncing Cats
Uniting the Children of Uganda Through Breakdance and Hip Hop Culture
Currently Screening at Festivals and Special Sneak Peek Events
Around North America Through Winter 2010

LOS ANGELES, CA – Award-winning film Bouncing Cats, the inspiring documentary of one man’s attempt to create a better life for the children of Uganda through hip hop, is on the festival circuit making its way around North America along with limited sneak peek screenings and benefit events.  Narrated by Common and featuring interviews with Will.I.Am, and K’Naan, the story follows the legendary Crazy Legs of the Rock Steady Crew and b-boy Abramz, the founder of Breakdance Project Uganda (BPU), on a journey to unify, empower and inspire youth in the war torn region that has been called one of the worst places on earth to be a child.*  The film, by director Nabil Elderkin, recently won “Best Documentary Feature Film” at the Urbanworld Film Festival in New York, “Outstanding Achievement in Documentary Filmmaking” at the Newport Beach Film Festival, and “Audience Favorite Award” at Southern Utah International Documentary Film Festival.  To learn more about the film, please visit http://www.bouncingcats.com and http://www.facebook.com/bouncingcats.

“Bouncing Cats is just the sort of work that the world needs to see coming out of Africa, a story of self-reliance and perseverance against immeasurable odds,” said K’naan.

Breakdance Project Uganda started in February 2006 by Abraham “Abramz” Tekya out of the belief that hip hop can be used as a tool to engage and empower disadvantaged youth in Kampala and other areas of Uganda. Its mission is to engage young people in hip hop culture in order to build leadership skills and promote social responsibility for positive change.  The Project has attracted people from every walk of life and acts as a catalyst for building mutually beneficial relationships between people of different social strata across Uganda and the rest of the world. After a trip to Uganda with NGO Oxfam, where he met Abramz, director Elderkin decided to make the film with the hope of shedding light on the situation.  “The work Abramz is doing with the kids of Uganda inspired me,” said Elderkin. “It was something I wanted to capture and share with others.”

Bouncing Cats is screening on the festival circuit and at special sneak peek events across North America.  Key screenings include:

- Apr. 17 – Newport Beach Film Festival – Newport Beach, CA
- Aug. 21 – DocuFest Atlanta International Documentary Film Festival – Atlanta, GA
- Sep. 17, 18 – Urbanworld Film Festival - New York, NY
- Sep. 17-19 -  DocUtah – Southern Utah Int’l Documentary Film Festival – St. George, UT
- Sep. 22 – Manifesto Film Fest – Toronto, ON
- Sep. 23 – Montreal International Black Film Festival – Montreal, QC
- Oct. 8-10 – BendFilm – Bend, OR
- Oct. 16, 17, 19, 22 – Heartland Truly Moving Pictures – Indianapolis, IN
- Oct. 18, 24 – Hot Springs Documentary Film Festival – Hot Springs National Park, AR
- Oct. 30 – MoogFest – Asheville, NC
- Nov. 3 – USC Albert & Dana Broccoli Theatre – Los Angeles, CA
- Nov. 4, 7 – American Film Market (AFM) – Santa Monica, CA
- Nov. 7 - Hartford International Film Festival – Hartford, CT
- Nov. 9 – National Geographic LIVE! – Washington, DC **
- Nov. 11 – Rice University – Houston, TX **
- Nov. 16 – Downtown Independent - Los Angeles, CA **
- Nov. 17 – Hard Rock Cafe on the Strip - Las Vegas, NV  **
- Nov. 19 – Arizona State University – Tempe, AZ **
- Nov. 20 – Decatur High School Performing Arts Center - Atlanta, GA
- Dec. 4 – Northwestern University McCormick Tribune Theatre- Evanston, IL
- Dec. 5 – Bahamas International Film Festival – Nassau, Bahamas
- Dec.  16 – NYU – New York, NY **

** These screenings include Q&A sessions with the filmmakers, Crazy Legs, and other cast members from the documentary.

click to watch trailer

Please visit the Bouncing Cats‘ site for additional screening announcements at http://www.bouncingcats.com/screenings.

Bouncing Cats Cast:
Abraham “Abramz” Tekya:
Abraham Tekya, commonly known as “Abramz,” is the director and founder of Breakdance Project Uganda, an organization launched in February 2006 that uses breakdance and other elements of hip hop culture to promote positive change and social responsibility. A native of Mengo, Kampala, Uganda, Abramz grew up quickly, as most children in Uganda are forced to. At the age of seven, he lost both of his parents to AIDS and was orphaned, shuffled between distant relatives and different homes. Despite these circumstances, Abramz used his life experience and love of hip hop to educate, inspire and unite youth in Uganda and beyond. http://www.bouncingcats.com/cast/tekya.php

Richard “Crazy Legs” Colòn:
To call Richard “Crazy Legs” Colòn a pioneer is an understatement. It is nearly impossible to have a conversation about b-boying without giving mention to the legendary Crazy Legs. Not only is he a veteran of hip hop as a culture, boasting more than 3 decades as the driving force behind the hip hop dance movement, but he’s also an outstanding citizen and role model. He has lent his time, experience, and influence to aiding and encouraging the positive advancement of hip hop culture. http://www.bouncingcats.com/cast/crazylegs.php

Jolly Grace Okot:
Jolly Grace Okot, a Nobel Peace Prize nominee, was among the first wave of children abducted and forced to be a child soldier in the beginning of Uganda’s civil war. She is the Uganda Country director for Invisible Children (IC) and has been involved with the organization since the beginning. Her guidance enabled Bouncing Cats‘ filmmakers to see and understand the plight of children in Northern Uganda, and her leadership and direction helped create IC’s initiatives on the ground. Okot also runs H.E.A.L.S., a program that provides play therapy for war-affected children.

Additional details on cast members are available at http://www.bouncingcats.com/cast.

Additional Credits & Film Details:
Bouncing Cats was produced by Red Bull Media House and directed by Nabil Elderkin. All proceeds from the film are going to Breakdance Project Uganda.

Nabil Elderkin, Director:
Director Nabil Elderkin, originally a native of Australia, began his photography career when he picked up a camera to shoot portraits of fellow surfers. What started as a hobby, rapidly developed into a working career. From surf portraits, Elderkin began shooting musicians and anyone that inspired him. He later moved to the United States to continue to expand his career. Today, Elderkin lives and works in Los Angeles at his studio downtown. He shoots musicians, sports, fashion, and portraiture. Elderkin has recently published a book titled Glow in the Dark with Kanye West through Rizzoli and has directed several music videos and documentaries from here to Africa. Traveling is his passion. He created the film in order to bring attention to the situation in Uganda as well as support the inspiring work Abramz is doing through BPU.  http://www.nabil.com

- Executive Producers: Amy Taylor, Scotty Bradfield, Karma Gardner, Charlie Rosene
- Producers: Nyla Hassell, George Mays, Claude Merkel, Charles Spano
- Film Editing: Isaac Hagy
- Sound Editor: Andrew Le Guier
- Genre: Documentary / Music
- Runtime: 75 minutes
- Country: USA
- Language: English
- Color: Color
- Filming Locations: Uganda, USA

Awards:
- Newport Film Festival “Outstanding Achievement in Documentary Filmmaking”
- Urbanworld Film Festival “Best Documentary Feature Film”
- DocUtah – Southern Utah International Documentary Film Festival “Audience Favorite Award”
- Bahamas International Film Festival Audience Award for “Best Feature Documentary”

“In short – the movie features some serious hip hop cameos, incredible landscapes, and dancing, and is certain to be one of the most celebrated documentaries of 2010.” –Chris Farone, Boston Phoenix

Bouncing Cats Links:
- Official Site: http://www.bouncingcats.com
- Facebook: http://www.facebook.com/bouncingcats
- Twitter: http://twitter.com/bouncingcats
- Trailer: http://vimeo.com/12234800

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For more information, or to request screeners, images, and interviews, please contact Green Galactic’s Lynn Tejada (née Hasty) at 213-840-1201 or lynn@greengalactic.com.

Breakdance Project Uganda reaches youth in the slums of Kisenyi, Uganda (photo credit: Nabil Elderkin)

* Former UNICEF head Carol Bellamy has called northern Uganda “pretty much the worst place on earth to be a child;” over 20,000 children – some as young as six years old – have been abducted by the rebel-led Lords Resistance Army (LRA), forced to serve as child soldiers, sex slaves and laborers. http://www.warchild.org/projects/WC_Canada/Uganda/uganda.html

Alex Face graffiti image from Bomb It 2 (photo credit: Jon Reiss)

Jon Reiss, the director of Bomb It, the global graffiti documentary, and his team, have a lot to announce and celebrate this month.  Starting as early as today – November 1, 2010 – Bomb It can be seen in tens of millions of cable, satellite, and telco Video On Demand (VOD) homes.  In mid-November the Bomb It team will be releasing a free geo-location graffiti and street art application (app) for both iPhone and Android operating systems (tentative release date: 11/22/10).  And Bomb It 2, commissioned as a web series exclusively for the digital broadcast network Babelgum, is rolling out new weekly episodes at http://www.babelgum.com/bombit2.

For Immediate Release:
November 1, 2010

Bomb It
The Global Graffiti Documentary
Set To Introduce New iPhone and Android App
In November 2010
+ Bomb It VOD Launch This Month
+ Bomb It 2 Web Series Continues on Babelgum this Month

LOS ANGELES, CA – Jon Reiss, the director of Bomb It, the global graffiti documentary, and his team, have a lot to announce and celebrate this month.  Starting as early as today – November 1, 2010 – Bomb It can be seen in tens of millions of cable, satellite, and telco Video On Demand (VOD) homes.  In mid-November the Bomb It team will be releasing a free geo-location graffiti and street art application (app) for both iPhone and Android operating systems (tentative release date: 11/22/10).  And Bomb It 2, commissioned as a web series exclusively for the digital broadcast network Babelgum, is rolling out new weekly episodes at http://www.babelgum.com/bombit2.  Learn about these and more at http://www.bombit-themovie.com.

Bomb It’s VOD premiere goes out over 75 cable, satellite and telco operators including the following:
- Armstrong
- AT&T
- Atlantic Broadband
- Blue Ridge
- Bresnan
- Charter
- DIRECTV VOD
- DISH Network IPVOD
- Insight
- Mediacom
- RCN
- Service Electric
- Suddenlink
- Verizon
- Wave

Click on Alex Face graffiti image (above) to see Bomb It 2‘s Bangkok episode
on Babelgum (photo credit: Jon Reiss)

The FREE Bomb It geo-location graffiti and street art app will work on both iPhone and Android operating systems when it’s released later this month (11/22/10 tentative but visit the Bomb It site for updates).  This app will allow users to take photos of graffiti and street art in any city in the world and upload images to Google maps.  Simultaneously – anyone in any city will be able to press a button to see on Google maps where others have posted exciting street art. Award-winning director Jon Reiss, named one of Daily Variety’s “10 Digital Directors to Watch,” views this as a natural extension of the Bomb It project – “We are connected with artists and fans throughout the world – how wonderful would it be to have a tool in which they could share a love for this art form with each other.”  The app will also come loaded with Bomb It episodes.

In addition to the VOD launch and upcoming iPhone/Android app, Bomb It 2 launched on Babelgum in October 2010.  Bomb It 2 was commissioned as a web series exclusively for the digital broadcast network Babelgum and expands the global reach of Jon Reiss’ exploration of graffiti and street art into new and unexplored areas of Asia and South East Asia, the Middle East as well as Europe, the United States and Australia.  Reiss traveled by himself to Bangkok, Jakarta, Singapore, Hong Kong, Tel Aviv, Palestinian refugee camps on the West Bank, Perth, Melbourne, Copenhagen, Chicago and Austin.  Artists featured include Klone, KnowHope, GreatBates, Zero, Darbotz, Killer Gerbil, Bon, Alex Face, Sloke, Husk Mit Navn, Ash, Phibs, Stormie Mills, Beejoir and many more.

“I was inspired to explore how and where graffiti and street art had penetrated the globe into some of the most unlikely places – such as Singapore.    I am especially fascinated in how each culture (and each person) takes this art form and makes it their own – and how the local culture affects the development of graffiti in each place that I visited. Tel Aviv and the refugee camps of Bethlehem couldn’t be more different.  The former is on the verge of a street art explosion similar to Barcelona in the early 90s.  In the West Bank, graffiti is much more about a political statement and “art” is often viewed as reconciliation.  At the same time it was interesting to see how some of the constants of graffiti exist nearly everywhere – from Perth to Copenhagen: the need to express oneself in public – and the addictive nature of getting up!”

Read more about the making of the Bomb It 2 web series here: http://blog.bombit-themovie.com/2010/10/loving-the-webseries-form

About Babelgum:
Founded in 2005, Babelgum is a free, revolutionary Internet and Mobile TV platform supported by advertising.  Babelgum combines the full-screen video quality of traditional television with the interactive capabilities of the Internet and offers professionally produced programming on-demand to a global audience.  Babelgum’s goal is to act as an international ‘glue,’ bringing a huge range of professional and semi-professional content to a global audience – like a modern-day Tower of Babel.  Bomb It 2 is the latest evidence of Babelgum’s growing involvement with street art culture, both in terms of its extensive collection of street art feature films and videos and its involvement with events such as the international Meeting of Styles and the recently launched Moniker Art Fair.

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For more information, images or to request interviews please contact Green Galactic’s Lynn Tejada (née Hasty) at 213-840-1201 or lynn@greengalactic.com.

BACKGROUNDER

Synopsis:
Award-winning film Bouncing Cats is the inspiring documentary of one man’s attempt to create a better life for the children of Uganda through the unlikely tools of hip hop and breakdance. Narrated by Common and featuring interviews with Will.I.Am, and K’Naan, the story follows the legendary Crazy Legs of the Rock Steady Crew and b-boy Abramz, the founder of Breakdance Project Uganda (BPU), on a journey to unify, empower and inspire youth in the war torn country that has been called one of the worst places on earth to be a child.*  Poverty, disease, and a brutal, mindless war in the region have divided families, displaced millions and led to the abduction and mutilation of tens of thousands of children resulting in the deterioration of identity and culture.

In response to these tragic circumstances, Abraham “Abramz” Tekya, a Ugandan b-boy and AIDS orphan, started Breakdance Project Uganda to create much needed positive social change in the region. His dream was to establish a free workshop that would empower, rehabilitate, and heal the community by teaching youth about b-boy culture. Crazy Legs, one of the founding members of the world famous Rock Steady Crew, visited Uganda after receiving an invitation from Abramz to teach b-boy classes. What he discovered upon his arrival was both heartbreaking and inspiring. Traveling throughout Uganda, from the southern slums to the war-torn north, Crazy Legs encountered a passion for hip hop and desire to learn amongst youth living in the most squalid conditions.

After only a few short months on the festival circuit, the film by director Nabil Elderkin has already won “Best Documentary Feature Film” at the Urbanworld Film Festival in New York; “Outstanding Achievement in Documentary Filmmaking” at the Newport Beach Film Festival; and “Audience Favorite Award” at DocUtah – Southern Utah International Documentary Film Festival.

*Source:  Former UNICEF head Carol Bellamy has called northern Uganda “pretty much the worst place on earth to be a child.” Over 20,000 children – some as young as six years old – have been abducted by the rebel-led Lords Resistance Army (LRA), forced to serve as child soldiers, sex slaves, and laborers. http://www.warchild.org/projects/WC_Canada/Uganda/uganda.html

Breakdance Project Uganda:
Breakdance Project Uganda (BPU) started in February 2006 by Abramz out of his belief that hip hop can be used as a tool to engage and empower disadvantaged youth. Its mission is to involve young people in hip hop culture in order to build leadership skills and promote social responsibility for positive change. The Project has attracted people from every walk of life and acts as a catalyst for building mutually beneficial relationships between people of different social strata across Uganda and the rest of the world. From the initial three students who turned up at the first session, the Project has grown through word of mouth, regular showcase performances, and exposure on the World Wide Web to become a thriving organization with over 1,000 members nationally in Uganda and many more supporters around the world.

Abramz organizes breakdancing sessions each week for hundreds of youth in different parts of the country. The Project has been built around free breakdancing classes which are currently offered at the Sharing Youth Centre, Kampala, Gulu Youth Centre and TAKS Art Centre in Gulu. The classes are sustained by members freely passing on their skills to new members, following the BPU ideology that everyone is a student and everyone is a teacher with something positive to give. Members have also made outreach visits to towns in other parts of Eastern and Northern Uganda to share their skills and engage more youth across Uganda. Many of the participating children are extremely vulnerable with members who are orphans, victims of war and poverty, unable to afford proper schooling.  Despite the hardships, children walk from miles away to attend the BPU classes each week. As Abramz says, “This is where many people’s pride is. It’s a skill that no one can take away from us.”

BPU supports formal and non-formal education opportunities by advocating the importance of education and partnering with organizations to increase members’ access to educational services such as life skills workshops, media and skills training, voluntary counseling and testing, and advocacy training. Through the sale of BPU t-shirts, the Project also sponsors schools fees for vulnerable members.

BPU aims to:
• Bridge the gap between the advantaged and disadvantaged while uniting people of different religious, tribal and social backgrounds
• Promote positive social responsibility
• Build leadership skills and self-esteem
• Increase access to formal and informal education
• Generate employment opportunities through private teaching and performances
• Connect local and international artists

Over the past four years, BPU has partnered with local and international organizations including: Oxfam, MS Uganda, In Movement, People Concern Children’s Project, Danish Centre for Cultural Development, H.E.A.L.S. (Gulu), Global Youth Partnership for Africa, the Embassy of France in Uganda, Uganda FDNC, and USAID/NUTI, Straight Talk Foundation (STF), and has carried out activities in orphanages, juvenile prisons, local and international schools, and youth and community centers.

Call to Action:
For those interested in supporting the work of BPU, donations can be made through the organization’s fiscal sponsor The Voice Project via the Bouncing Cats site at http://www.bouncingcats.com/donate. Donations are 100% tax deductible.  Proceeds go directly to Breakdance Project Uganda to continue its mission to empower and positively inspire youth through hip hop. Abramz also hopes to one day build a permanent center for BPU.

With a donation of $15 or more to BPU, contributors receive a limited edition Bouncing Cats t-shirt while supplies last. The t-shirts are made by Edun, the non-profit fashion brand founded by Ali Hewson and Bono, using 100% African cotton grown by farmers of the Conservation Cotton Initiative (CCI) in Northern Uganda. The CCI was created by Edun, the Wildlife Conservation Society and Invisible Children to build sustainable farming communities and provide a fair trade market for their cotton. The CCI Uganda Program is based in the Gulu District, an area recovering from the civil war. The CCI Initiative assists farmers who are returning to their land by providing funding, tools, and training to grow a sustainable cotton business.

Uganda:
According to the World Bank, more than 30% of the population in Uganda lives below the poverty line. Uganda is a rapidly growing nation with a very young population (Source: UNGASS). An estimated 49% of people in Uganda are under the age of 14 (Source: Population Reference Bureau). After the introduction of Universal Primary Education in Uganda in 1997, primary school enrollment increased to 82% but less than 20% of young people go on to complete further education (Source: Population Reference Bureau). Development in Uganda has been greatly hampered by more than two decades of conflict between the government and the Lord’s Resistance Army (LRA) in the North and, as a result, the opportunities available to young people are extremely limited. Unemployment levels for young people between the ages of 14 and 24 are estimated to be at 83% (Source: ADI Report 2008/2009).

However, there is hope for young people in Uganda as the country gets closer to reaching its Millennium Development Goals. Since 1992, the number of people living in poverty has substantially decreased by more than 25% according to the 2007 UNDP Uganda Progress Report. Gender equality has been steadily improving with more than 2 million additional girls enrolling in primary school each year. Indicators show that HIV/AIDS prevalence has stabilized at 6.4%. Overall, there is growing optimism across Uganda that things will continue to improve and peace will remain.

Bouncing Cats Cast:
Abraham “Abramz” Tekya:
Abraham Tekya, commonly known as “Abramz,” is the director and founder of Breakdance Project Uganda, an organization launched in February 2006 that uses breakdance and other elements of hip hop culture to promote positive change and social responsibility. A native of Mengo, Kampala, Uganda, Abramz grew up quickly, as most children in Uganda are forced to. At the age of seven, he lost both of his parents to AIDS and was orphaned, shuffled between distant relatives and different homes. Despite these circumstances, Abramz used his life experience and love of hip hop to educate, inspire and unite youth in Uganda and beyond.

Richard “Crazy Legs” Colòn:
To call Richard “Crazy Legs” Colòn a pioneer is an understatement. It is nearly impossible to have a conversation about b-boying without giving mention to the legendary Crazy Legs. Not only is he a veteran of hip hop as a culture, boasting more than 3 decades as the driving force behind the hip hop dance movement, but he’s also an outstanding citizen and role model. He has lent his time, experience, and influence to aiding and encouraging the positive advancement of hip hop culture. Among his many achievements, he is credited with the creation of the classic b-boy move called the continuous backspin or “windmill.”

Jolly Grace Okot:
Jolly Grace Okot, a Nobel Peace Prize nominee, was among the first wave of children abducted and forced to be a child soldier in the beginning of Uganda’s civil war.  She is the Uganda Country director for Invisible Children (IC) and has been involved with the organization since the beginning. Her guidance enabled Bouncing Cats‘ filmmakers to see and understand the plight of children in Northern Uganda, and her leadership and direction helped create IC’s initiatives on the ground. Okot also runs H.E.A.L.S., a program that provides play therapy for war-affected children.

Kibuka Mukisa Oscar:
Kibuka Mukisa Oscar, who joined BPU in 2006 and regularly attends weekly Sharing Youth Centre sessions, recently finished secondary school. He dreams of working in the visual arts.

Shadia Aghamu:
Aghamu Shadia was born into a family of 13 children. She dreams of going to a good business school, earning enough money to support her family, and hopes to buy a bus for BPU one day.

Alfred Otim:
Alfred Otim, currently studying at Gulu College, hopes to go to University to become an engineer. He intends to earn money for University by teaching and performing.

Claire Lewis:
Claire Lewis, a 20-year Oxfam veteran, has been based in Africa for the past four years. During a fateful trip to Los Angeles, she met director Elderkin and the two discussed hip hop, which included Lewis mentioning Abramz’ inspirational work in Uganda. After the meeting, Lewis casually suggested Elderkin drop by to see Kampala one day…

Ynot:
Ynot started dancing at the age of 17 and was mainly influenced by James Brown. He is a member of the legendary Rock Steady Crew. He enjoys traveling and teaching workshops across the US and the world.

Ervin Arana:
DJ, photographer and respected b-boy Ervin Arana is a member of the Rock Steady Crew. He has appeared in numerous music videos and shares his knowledge of dance through lectures and workshops.

Additional details on cast members are available at http://www.bouncingcats.com/cast/

Additional Credits & Film Details:
Bouncing Cats was produced by Red Bull Media House and directed by Nabil Elderkin. All proceeds from the film are going to Breakdance Project Uganda.

Nabil Elderkin, Director:
Bouncing Cats Director Nabil Elderkin, originally a native of Australia, began his photography career when he picked up a camera to shoot portraits of fellow surfers. What started as a hobby, rapidly developed into a working career. From surf portraits, Elderkin began shooting musicians and anyone that inspired him. He later moved to the United States to continue to expand his career. Today, Elderkin lives and works in Los Angeles at his studio downtown. He shoots musicians, sports, fashion, and portraiture. Elderkin has recently published a book titled Glow in the Dark with Kanye West through Rizzoli and has directed several music videos and documentaries from here to Africa. Traveling is his passion. He created the film in order to bring attention to the situation in Uganda as well as support the inspiring work Abramz is doing through BPU.

Executive Producers: Amy Taylor, Scott Bradfield, Karma Gardner, Charlie Rosene

Producers: Nyla Hassell, George Mays, Claude Merkel, Charles Spano

Film Editing: Isaac Hagy

Sound Editor: Andrew Le Guier

Genre: Documentary / Music

Runtime: 75 minutes

Country: USA

Language: English

Color: Color

Filming Locations: Uganda, USA

Festival Tour & Special Engagements:
Bouncing Cats is screening on the festival circuit and at special engagements across the US. Key screenings include:

- Apr. 17 – Newport Beach Film Festival – Newport Beach, CA
- Aug. 21 – DocuFest Atlanta International Documentary Film Festival – Atlanta, GA
- Sep. 17, 18 – Urbanworld Film Festival – New York, NY
- Sep. 17-19 – DocUtah – Southern Utah Int’l Documentary Film Festival – St. George, UT
- Sep. 22 – Manifesto Film Fest – Toronto, ON
- Sep. 23 – Montreal International Black Film Festival – Montreal, QC
- Oct. 8-10 – BendFilm – Bend, OR
- Oct. 16, 17, 19, 22 – Heartland Truly Moving Pictures – Indianapolis, IN
- Oct. 18, 24 – Hot Springs Documentary Film Festival – Hot Springs National Park, AR
- Oct. 30 – MoogFest – Asheville, NC
- Nov. 3 – USC Albert & Dana Broccoli Theatre – Los Angeles, CA
- Nov. 4, 7 – American Film Market (AFM) – Santa Monica, CA
- Nov. 7 – Hartford International Film Festival – Hartford, CT
- Nov. 9 – National Geographic LIVE! – Washington DC
- Nov. 11 – Rice University – Houston, TX
- Nov. 16 – Downtown Independent – Los Angeles, CA
- Nov. 19 – Arizona State University – Tempe, AZ
- Nov. 20 – Decatur High School Performing Arts Center – Atlanta, GA
- Dec. 4 – Northwestern University McCormick Tribune Theater - Evanston, IL
- Dec. 5 – Bahamas International Film Festival - Nassau, Bahamas
- Dec. 16 – NYU – New York, NY

Please visit the Bouncing Cats site for additional screening announcements at http://www.bouncingcats.com/screenings/.

Awards:
Newport Film Festival “Outstanding Achievement in Documentary Filmmaking”
Urbanworld Film Festival “Best Documentary Feature Film”
DocUtah – Southern Utah International Documentary Film Festival “Audience Favorite Award”
Bahamas International Film Festival Audience Award for “Best Feature Documentary”

Distribution:
Bouncing Cats distribution is open to negotiations.  For distribution related inquiries, please contact Nyla Hassell at nyla.hassell@us.redbull.com.

Bouncing Cats Links:
- Official Web Site: http://www.bouncingcats.com
- Facebook: http://www.facebook.com/bouncingcats
- Twitter: http://twitter.com/bouncingcats
- Video Trailer: http://vimeo.com/12234800

Publicity Contact:
For more information, or to request screeners, images, and interviews, please contact Green Galactic’s Lynn Tejada (née Hasty) at 213-840-1201 or lynn@greengalactic.com.

Click to watch the Bouncing Cats trailer.

(Updated 12/02/10)

Congo in Harlem 2

Painting by JP Mika

Congo in Harlem 2
A Series of Films and Special Events
Maysles Cinema
Friday, October 8 – Saturday, October 23, 2010

NEW YORK CITY, NY – Congo in Harlem 2 is the second annual series of Congo-related films and events at the Maysles Cinema in Harlem. This year’s program runs from Friday, October 8 – Saturday, October 23, 2010 and showcases a wide range of films by Congolese and international directors, representing the most important issues facing the Democratic Republic of Congo (DRC) today. Most screenings will be followed by panel discussions, special events, musical performances, and receptions. Congo in Harlem 2 will provide audiences with more than the traditional movie-going experience – it will offer opportunities to celebrate Congolese culture, learn about the ongoing humanitarian crisis, engage in dialogue, and get involved.  Maysles Cinema is located at 343 Lenox Ave./Malcolm X Blvd. (at 127th Street), New York, NY 10027.  Screenings are open to the public at a suggested donation of $10.  Box office opens one hour prior to show time.  For more information please call 212-582-6050.  To learn more, purchase advance tickets, and see the latest updates and schedule additions please visit http://www.mayslesinstitute.org/cinema/congo_in_harlem2.html.

Special exhibit in cinema lobby featuring photographs from North Kivu, DRC by Robert Garner and Mary McFarland.

The film and speaker series kicks off on October 8th and 9th with two films by Belgian-based Congolese filmmaker Monique Mbeka Phoba — A Bewitched Life and Between the Cup and the Elections. On October 17th, the series takes part in “Break the Silence” Congo Week with a special screening by Cultures of Resistance and a tribute to legendary soukous singer Kanda Bongo Man, who will be attendance.

The final weekend of programming sees the New York Premiere of a very timely film!

On Friday, October 22 at 7:30 PM (Co-Presented by The New York African Film Festival, Hirondelle, USA, and Radio Okapi), Afrique En Morceaux / The Tragedy of the Great Lakes by Jihan El-Tahri (2001, 100min.) will premiere. The film served as an important reference in the recently released UN mapping report.  This is the first public screening of the film in the U.S.  Post-screening discussion with filmmaker El-Tahri, Jason Stearns, Congo analyst, former UN investigator, Researcher at the International Crisis Group, and Luc Côté, lead investigator/writer of UN Mapping Report, with moderation by Congo researcher Samar Al-Bulushi, followed by reception.

On the final day of Congo In Harlem 2 – Saturday, October 23rd – there will be a panel discussion focused on child soldiers and youth leadership, featuring Ishmael Beah (author of A Long Way Gone: Memoirs of a Boy Soldier), Jimmie Briggs (author of Innocents Lost: When Child Soldiers Go to War), and Friends of the Congo‘s Kambale Musavuli. The closing night film will be Thierry Michel’s exposé of mining operations in Congo, Katanga Business, followed by a panel with Peter Rosenblum, Attorney/activist, Professor of Human Rights Law at Columbia University, and Howard French, Senior Correspondent with The New York Times, and Associate Professor at Columbia University School of Journalism.

Congo in Harlem 2 is supported by V-DAY, the Caipirinha Foundation, and other organizations. Tickets will be sold on the basis of suggested donation and the proceeds from each event will be contributed to NGOs and organizations working in Congo. Series partners include: Friends of the Congo, Now AfriCAN, Tabilulu Productions, V-Day, Cultures of Resistance, The New York African Film Festival, Arts Engine, HEAL Africa, Human Rights Watch International Film Festival, Icarus Films, Congo Global Action, Museum for African Art, and Yole!Africa.

About Maysles Cinema
Founded by renowned documentary filmmaker Albert Maysles (Grey Gardens, Gimmer Shelter), the Maysles Institute exhibits independently curated films to inspire dialogue and action, and advances community produced films through education programs. Our cinema and education programs engage multi-generational communities in creative self-expression, communicating ideas and advocating needs. We are committed to working with and representing residents of our Harlem neighborhood, documentary filmmakers and activists, community members and community-based organizations engaged in social, political and cultural change. Our goal is to bring these diverse audiences together, creating cross-cultural dialogue, relationships and empowerment through documentary film and filmmaking.

About the Organizers
Congo in Harlem is organized by a small staff of volunteers with strong interest and close ties to the Congo. The films are programmed by Lynn True, Nelson Walker, Louis Abelman, and Baze Mpinja, working in conjunction with Friends of the Congo. True, Walker, and Abelman were part of the filmmaking team that made Lumo, an award-winning documentary film about a young Congolese woman’s path to healing from a traumatic fistula at the HEAL Africa hospital in eastern Congo. Mpinja is a second generation Congolese living in New York City, currently working as a magazine editor. Her family is originally from Goma, in eastern DRC. Friends of the Congo is a non-profit organization dedicated to raising consciousness within the world community about the challenge of the Congo. A key aspect of Friends of the Congo’s mission is to support Congolese institutions to bring about a peaceful and lasting change.

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For more information, images, and interviews please contact Green Galactic’s Lynn Tejada (née Hasty) at 213-840-1201 or lynn@greengalactic.com.