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  • CHRISBULLFirst Congregational Church of Los Angeles is proud to present Christoph Bull’s organica, a FREE pipe organ concert on Sunday, May 31, 2015 at 3:00pm. organica is an eclectic, colorful, and collaborative way to present the pipe organ to new audiences. A performer, scholar, and UCLA faculty member, Bull has been dubbed “the Tiger Woods of the organ.” He will perform his innovative interpretations of pieces by Philip Glass, Johann Sebastian Bach, Olivier Messiaen, Louis-Claude Daquin, and Maurice Ravel, as well as his own work, on the church’s famous pipe organ, the largest in the world located in a church. Live painter Norton Wisdom will add a visual element to the performance. Read the rest of this entry »

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  • policeappneuAs angry protestors across the country demand an end to police brutality, nationally syndicated African-American cartoonist Keith Knight has increasingly become a sought-after speaker on U.S. race relations, a frequent topic in his storytelling cartoons. Knight, the creator of three comic strips, The Knight LifeThe K Chronicles, and (th)ink, is scheduled for a number of U.S. speaking engagements in 2015, including a special guest presentation on police brutality at the inaugural Black Comix Arts Festival in January and a civil rights panel discussion at the California School Library Association Conference in February. In his provocative speaking engagements, a unique blend of lecture, activism, and comedy, Knight addresses issues of race, politics, media, censorship, and the importance of social activism.  Read the rest of this entry »

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  • SFTdjtbJiui1DQnKkOEFNKk83756V4fBbdUICs1X8A4gVTMq3-XijczfRlzBvCQIzKvwt6ceHGnjAqmiXYGRsUIyv4oBQgykvdz0aZBFEJv6gpuD=s0-d-e1-ftNationally syndicated African-American cartoonist Keith Knight has become a sought-after speaker on complex social and political situations through the perceptive and hilarious lens of his storytelling cartoons at college campuses, conventions, festivals, and fundraisers across the US and beyond. Knight has been tapped to tour five German universities, in November 2014, for a series of provocative comic strip slide show presentations, They Shoot Black People Don’t They?, on the topic of police brutality in the US. Knight is the creator of three comic strips, The Knight Life, The K Chronicles, and (th)ink. Read the rest of this entry »

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  • banniere-IACAThéâtre Raymond Kabbaz (TRK), the performance space at Le Lycée Français de Los Angeles, is pleased to present the Los Angeles premiere of Inconnu à cette adresse (Address Unknown) starring French film and theatre legends Thierry Lhermitte and Patrick Timsit on Saturday, April 26, and Sunday, April 27, 2014. Inconnu à cette adresse is based on the book Address Unknown, written by Kathrine Kressmann Taylor. The novel was published just before the outbreak of World War 2, written as a series of letters between a Jewish art dealer living in San Francisco and his business partner, who had returned to Germany in 1932. It is credited with exposing, early on, the dangers of Nazism to the American public. The work was adapted for the stage by Michèle Levy-Bram. Inconnu à cette adresse, directed by Delphine de Malherbe, will be in French with projected English subtitles. Read the rest of this entry »

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  • W139Electronic musician John Tejada and vocalist Kimi Recor have teamed up for a full album of darkly hued electronic pop under the name Bavaria. The album, We’ll Take a Dive, is scheduled for a February 11, 2014 release on the Oakland, California-based n5MD record label. It will be released on CD, vinyl and digitally. To learn more please visit http://n5md.com/artist/Bavaria. Read the rest of this entry »

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  • Following the success of his recent Kompakt single “Somewhere,” John Tejada returns to his own Palette Recordings imprint with “Anaphora.” After a series of collaborative projects with fellow artists, Tejada distinguishes “Anaphora” as his first solo release on Palette since 2009 and presents a double headliner of his trademark musicality and driving rhythms, delivering a set of two eruptive grooves with a focus that has earned Tejada the respect of both listeners and peers alike. “Anaphora” continues where John’s 2006 smash “The End Of It All” left off, showcasing Tejada’s trademark use of hopeful melodies and emotive sequences. It highlights his undeniable quality of crafting arrangements that rise above monotony. Read the rest of this entry »

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