John Tejada, a frequent guest on Touched Music compilations, hatched the idea of turning the final project for his CalArts “Advanced Electronic Music Production” class into a compilation album for the established label. John Tejada Presents Future Stars features 15 of Tejada’s students at their best, as well as an exclusive original track by Tejada himself called “NYC83,” which imagines an alternative of a classic b-boy breakin’ tune. Established as a non-profit, the record label benefits Macmillan Cancer Support in the UK among others. Touched Music will release Future Stars digitally on Friday, May 15, 2020, with 100-limited edition CDs to follow shortly after. The best way to support the charity—and the only way to procure the beautiful physical CD—is to purchase from Bandcamp. The release will also be available on Spotify, Tidal, Apple Music, Bleep and many other platforms.

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The latest project of the Rebel Babel Ensemble is a universal tribute to hip hop pioneer DJ Premier. The transcultural international big band, perhaps the world’s largest (currently boasting over 11,000 members from sixteen countries), unleashed “Tribute to DJ Premier,” its herculean video “gift” to Preemo and the world, on the legend’s birthday, March 21, 2020. For this particular orchestration and video project, Rebel Babel and its conductor and co-founder Łukasz “L.U.C.” Rostkowski arranged samples from DJ Premier’s work for a jazz big band collaboration that was recorded in eight European and U.S. cities with just under 100 musicians involved. Read the rest of this entry »

Wajatta—the musical duo of Reggie Watts and John Tejada—kicks off the Natural History Museum’s season opener of its popularFirst Fridays series on Friday, March 6, 2020 with a performance celebrating the release of the duo’s sophomore album, Don’t Let Get You Down. Wajatta and a host of other performers and lecturers, including Ologies podcast host Alie Ward and KCRW’s Novena Carmel, will appear at the “after-hours” event that runs from 5:00 to 10:00pm.

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Wajatta — the musical duo of Reggie Watts and John Tejada — return with their second album, Don’t Let Get You Down, due out on the groundbreaking Brainfeeder label on February 28, 2020. Coming from different worlds, but sharing a passion for the rich history of electronic music, beat-boxer/comedian/musician Watts and electronic music artist/DJ/producer Tejada brings out the best in each other’s formidable skill sets. Where the duo’s debut album, Casual High Technology, hinted at the broad stylistic possibilities inherent in the marriage of Watts’ elastic, soul-stirring vocals and Tejada’s layered, melodically inventive productions, Don’t Let Get You Down makes good on that promise.

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On Friday, July 19, 2019, Mount Wilson Observatory inaugurates its Cosmic Sounds series, combining sound installation art with observing of the night sky. Sound artist Jeff Talman creates work at the intersection of art and science. Mt. Wilson Observatory premieres his latest work, Of Sound Before the Stars, in 8-channel surround sound inside the magnificent dome of the 100-inch telescope with its singular acoustics. Of Sound was made in collaboration with astrophysicists Daniel Huber and Mark Whittle. Talman will make a presentation at the opening of the evening. The event runs from 7:30pm until midnight. As dark falls, the piece will play in its entirety. And on into the night tuning the sonic with the visual experience as the audience observes celestial objects through the same telescope that determined the expansion of the universe, an epochal moment in science. Read the rest of this entry »

The Montalbán is proud to partner with Infinity Grove Entertainment to present Los Angeles audiences with a special opportunity to experience an enhanced workshop production of Accidental Joy: A New Musical, coming to the theatre for one-night-only on Saturday, June 29, 2019. Book by Marcus Terrell Smith, music by Robbie McDonald, and lyrics by both, Accidental Joy is a dark comedy musical about one woman’s incredible journey to find the guru within, and the four or five hilarious murders that follow her along the way. Doors will open at 7:00pm and the performance will begin at 8:00pm on the Montalbán’s main stage Read the rest of this entry »

Mount Wilson Observatory—the scientific marvel above Pasadena, atop Mount Wilson—is pleased to announce the third date in its Sunday Afternoon Concerts in the Dome six-month series, to take place on Sunday, July 7, 2019. The performances are presented inside the iconic vaulted dome of the 100-inch telescope. A season of musical adventures thoughtfully curated by Artistic Director Cécilia Tsan are offered on the first Sunday of each month through October with two shows per date. The July concert program, entitled Songs of The Spheres, feature all vocal compositions, each one a World Premiere, by composers Bruce Babcock, Anthony Constantino, Todd Mason, Mark McEncroe and Danaë Vlasse. Performers for the two vocal concert include Hila Plitmann, soprano, Sangeeta Kaur, soprano, Marcia Dickstein, harp, Reina Inui, violin,  Rachel Mellis, flute, and Shea Welsh, guitar. Also performing is a special guest chamber choir, the Sterling Ensemble, directed by Michelle Jensen. Read the rest of this entry »

Mount Wilson Observatory – the scientific marvel above Pasadena, atop Mount Wilson – is pleased to announce the second date in its Sunday Afternoon Concerts in the Dome six-month series, to take place on Sunday, June 2, 2019. The performances are presented inside the iconic vaulted dome of the 100-inch telescope. A season of musical adventures thoughtfully curated by Artistic Director Cécilia Tsan are offered on the first Sunday of each month through October. The June concert program will feature oboe quartets by Mozart and Britten plus a string trio by Beethoven with Leslie Reed on oboe, Roger Wilkie on violin, Alma Fernandez on viola, and Ms. Tsan on cello. Read the rest of this entry »

Wajatta in November 2019
Extended Biography

When beat-boxer/comedian/musician Reggie Watts and electronic music artist/DJ/producer John Tejada first joined forces as Wajatta, the results were hailed as “a surprising and winning new collaboration” (NPR) and “in league with Frankie Knuckles and Jamie Principle’s classic house” (Los Angeles Times). Coming from different worlds, but sharing a passion for the rich history of electronic dance music, Watts and Tejada bring out the best in each other’s formidable skill sets. It’s a cosmic collision of funk-infused techno and soul-steeped vocal acrobatics, equaling and at times surpassing the brilliance of their solo work.

Wajatta (a mashup of the artists’ last names, pronounced wa-HA-ta) began in the most fitting of places: an underground warehouse party in 2017, where John was playing a late-night DJ set and Reggie, a long-time fan of John’s propulsive techno productions, was in the audience. From there a friendship blossomed, formed over strong coffee, similar backgrounds (John was born in Austria and raised in Los Angeles; Reggie moved at a young age from Germany to Montana and later Seattle) and similar interests: ‘80s sci-fi films, old-school hip-hop.

When they began making music together, the chemistry was immediate. In their very first session at John’s home studio in Los Angeles, they completed three tracks. “It was pretty instantaneous,” Reggie agrees. “What he played me was really fun and sparked a lot of possibilities in my head.”

Their initial collaborations resulted in the acclaimed 2018 debut album, Casual High Technology, that seamlessly married Reggie’s mix of beat-boxing, scat-singing and multi-octave, R&B-inspired crooning with John’s nimble, harmonically rich forays into house, techno, hip-hop and beyond. Since that release, the two friends have squeezed more recording sessions into their demanding schedules, continuing to find new inspiration in one another’s talents. 

The best of those sessions are now part of a second full-length, Don’t Let Get You Down, due for release on Brainfeeder on February 28, 2020. As thrilling as Casual High Technology was, Don’t Let Get You Down is a major leap forward, a reflection of the way John and Reggie’s partnership has grown deeper and more intuitive.

They build most tracks from scratch, bouncing ideas off one another from initial spark to finished product. It’s all done in person: “We never just share files,” John notes. They also try to keep their sessions as spontaneous as possible, in a neverending quest to, as Reggie puts it, “capture the freshness.” As a result, Don’t Let Get You Down’s 11 tracks crackle with the energy of fresh ideas captured at the moment of inspiration. It’s electronic music made organically, from two masters at the top of their respective games.

That organic approach extends to their live shows, at which Tejada rebuilds the duo’s tracks on his samplers and synths, while the multi-octave Watts conjures vocal symphonies out of little more than a loop station and a delay pedal. Besides a number of concerts in Los Angeles, they’ve performed a handful of shows around the U.S. — San Francisco, Chicago, New York City, Taos — as well as high-profile events and festivals such as Movement in Detroit, MUTEK in Montreal, CRSSD Festival in San Diego, two Dirtybird shows (BBQ in 2018 and Campout in 2019), and a live studio session for KCRW’s Morning Becomes Eclectic.

On Don’t Let Get You Down’s final track, “All I Need Is You,” listeners can get a taste of one of Wajatta’s most unique concerts. The fully improvised song was part of a spontaneously created 90-minute performance for Club Something at The Sweat Spot, an L.A. dance studio run by choreographer Ryan Heffington (Sia, Spike Jonze, FKA Twigs). It’s a six-minute snapshot of the improvisational brilliance that lies at the heart of everything Wajatta does — an approach summed up in Reggie’s off-the-cuff one-liner near the track’s end: “We’re making everything here for you from scratch — just to ensure maximum freshness.”

Watts can currently be seen nightly as the bandleader for CBS’s The Late Late Show With James Corden. He first burst into the American audience’s lives as the co-host of IFC’s groundbreaking variety series Comedy Bang! Bang! Over his 15-year career as a solo performer, he’s honed a unique style that blurs the lines between music and comedy, as is evident in his 9-minute TED Talk in 2012, as well as multiple comedy specials for both Comedy Central and Netflix, and at the invitation of Jack White, the record Reggie Watts Live at Third Man Records. Everything he does is 100% improvised — most notably, the multi-layered music tracks he builds on the fly, looping his beat-boxed rhythms and soulful vocals into spontaneous musical inventions that are funky, hypnotic and often hilarious. See updates at https://www.instagram.com/reggiewatts.

In Wajatta, Reggie infuses those same techniques into John’s sinuous sounds, creating a refreshingly playful take on electronic music — one in which it’s often hard to separate the machines from the human voice. “There’s a lot of stuff happening that you may not realize is Reggie,” John explains. Though he’s a big fan of Reggie’s uncanny beat-boxing skills, John prefers to disguise those effects among the pulses and patters of his analog synths and vintage drum machines. “It’s cool for it to be like, ‘I didn’t know that was his voice.’”

John, for his part, has been at the vanguard of West Coast techno since 1994, releasing a succession of acclaimed albums, singles and EPs for such prestigious labels as Kompakt, Poker Flat, Cocoon, Plug Research and his own long-running imprint, Palette Recordings. Among his best-known tracks are the moody, mesmeric “Farther and Fainter” (from his 2011 Kompakt full-length Parabolas) and the 2005 underground banger, “Sweat (On the Walls)” — now a staple of Wajatta’s high-energy live shows, where Reggie delivers witty, freestyle riffs on the track’s original spoken-word vocals. See updates at https://www.instagram.com/johntejadaofficial.

With influences ranging from Detroit techno to Chicago house, Marvin Gaye to Mantronix, Wajatta’s sound is both familiar and wholly original — and, like all great dance music, ultimately life-affirming, as Reggie vocalizes, sometimes without words, the joyful energy of his and John’s funky, shape-shifting productions. “That’s the great thing about working with John,” Reggie says with an infectious grin. “He’s so steeped in the history of this music. I just pick up on that and run with it.”

Tilted Field, in association with VS. Theatre Company, is proud to present the world premiere of Giovanni Adams’ new play Love is a Dirty Word, opening in Los Angeles on Saturday, June 17th at 8:00pm. The solo work, performed by Adams, with musical accompaniment by Arturo Lopez, is about a young man finding redemption when he is deemed too dirty to love. This autobiographical piece is rooted in Mr. Adams’ experience as a black, queer, Christian man crossing lines of identity, affinity and ideology. Love is a Dirty Word was developed and directed by Becca Wolff (No Static at All, Outstanding Solo Show, 2015 NY Fringe Festival). The play will run through Saturday, July 15, 2017 at VS. Theatre on Pico. Read the rest of this entry »