Wajatta in November 2019
Extended Biography

When beat-boxer/comedian/musician Reggie Watts and electronic music artist/DJ/producer John Tejada first joined forces as Wajatta, the results were hailed as “a surprising and winning new collaboration” (NPR) and “in league with Frankie Knuckles and Jamie Principle’s classic house” (Los Angeles Times). Coming from different worlds, but sharing a passion for the rich history of electronic dance music, Watts and Tejada bring out the best in each other’s formidable skill sets. It’s a cosmic collision of funk-infused techno and soul-steeped vocal acrobatics, equaling and at times surpassing the brilliance of their solo work.

Wajatta (a mashup of the artists’ last names, pronounced wa-HA-ta) began in the most fitting of places: an underground warehouse party in 2016, where John was playing a late-night DJ set and Reggie, a long-time fan of John’s propulsive techno productions, was in the audience. From there a friendship blossomed, formed over strong coffee, similar backgrounds (John was born in Austria and raised in Los Angeles; Reggie moved at a young age from Germany to Montana and later Seattle) and similar interests: ‘80s sci-fi films, old-school hip-hop.

When they began making music together, the chemistry was immediate. In their very first session at John’s home studio in Los Angeles, they completed three tracks. “It was pretty instantaneous,” Reggie agrees. “What he played me was really fun and sparked a lot of possibilities in my head.”

Their initial collaborations resulted in the acclaimed 2018 debut album, Casual High Technology, that seamlessly married Reggie’s mix of beat-boxing, scat-singing and multi-octave, R&B-inspired crooning with John’s nimble, harmonically rich forays into house, techno, hip-hop and beyond. Since that release, the two friends have squeezed more recording sessions into their demanding schedules, continuing to find new inspiration in one another’s talents. 

The best of those sessions are now part of a second full-length, Don’t Let Get You Down, due for release on Brainfeeder on February 28, 2020. As thrilling as Casual High Technology was, Don’t Let Get You Down is a major leap forward, a reflection of the way John and Reggie’s partnership has grown deeper and more intuitive.

They build most tracks from scratch, bouncing ideas off one another from initial spark to finished product. It’s all done in person: “We never just share files,” John notes. They also try to keep their sessions as spontaneous as possible, in a neverending quest to, as Reggie puts it, “capture the freshness.” As a result, Don’t Let Get You Down’s 11 tracks crackle with the energy of fresh ideas captured at the moment of inspiration. It’s electronic music made organically, from two masters at the top of their respective games.

That organic approach extends to their live shows, at which Tejada rebuilds the duo’s tracks on his samplers and synths, while the multi-octave Watts conjures vocal symphonies out of little more than a loop station and a delay pedal. Besides a number of concerts in Los Angeles, they’ve performed a handful of shows around the U.S. — San Francisco, Chicago, New York City, Taos — as well as high-profile events and festivals such as Movement in Detroit, MUTEK in Montreal, CRSSD Festival in San Diego, two Dirtybird shows (BBQ in 2018 and Campout in 2019), and a live studio session for KCRW’s Morning Becomes Eclectic.

On Don’t Let Get You Down’s final track, “All I Need Is You,” listeners can get a taste of one of Wajatta’s most unique concerts. The fully improvised song was part of a spontaneously created 90-minute performance for Club Something at The Sweat Spot, an L.A. dance studio run by choreographer Ryan Heffington (Sia, Spike Jonze, FKA Twigs). It’s a six-minute snapshot of the improvisational brilliance that lies at the heart of everything Wajatta does — an approach summed up in Reggie’s off-the-cuff one-liner near the track’s end: “We’re making everything here for you from scratch — just to ensure maximum freshness.”

Watts can currently be seen nightly as the bandleader for CBS’s The Late Late Show With James Corden. He first burst into the American audience’s lives as the co-host of IFC’s groundbreaking variety series Comedy Bang! Bang! Over his 15-year career as a solo performer, he’s honed a unique style that blurs the lines between music and comedy, as is evident in his 9-minute TED Talk in 2012, as well as multiple comedy specials for both Comedy Central and Netflix, and at the invitation of Jack White, the record Reggie Watts Live at Third Man Records. Everything he does is 100% improvised — most notably, the multi-layered music tracks he builds on the fly, looping his beat-boxed rhythms and soulful vocals into spontaneous musical inventions that are funky, hypnotic and often hilarious. See updates at https://www.instagram.com/reggiewatts.

In Wajatta, Reggie infuses those same techniques into John’s sinuous sounds, creating a refreshingly playful take on electronic music — one in which it’s often hard to separate the machines from the human voice. “There’s a lot of stuff happening that you may not realize is Reggie,” John explains. Though he’s a big fan of Reggie’s uncanny beat-boxing skills, John prefers to disguise those effects among the pulses and patters of his analog synths and vintage drum machines. “It’s cool for it to be like, ‘I didn’t know that was his voice.’”

John, for his part, has been at the vanguard of West Coast techno since 1994, releasing a succession of acclaimed albums, singles and EPs for such prestigious labels as Kompakt, Poker Flat, Cocoon, Plug Research and his own long-running imprint, Palette Recordings. Among his best-known tracks are the moody, mesmeric “Farther and Fainter” (from his 2011 Kompakt full-length Parabolas) and the 2005 underground banger, “Sweat (On the Walls)” — now a staple of Wajatta’s high-energy live shows, where Reggie delivers witty, freestyle riffs on the track’s original spoken-word vocals. See updates at https://www.instagram.com/johntejadaofficial.

With influences ranging from Detroit techno to Chicago house, Marvin Gaye to Mantronix, Wajatta’s sound is both familiar and wholly original — and, like all great dance music, ultimately life-affirming, as Reggie vocalizes, sometimes without words, the joyful energy of his and John’s funky, shape-shifting productions. “That’s the great thing about working with John,” Reggie says with an infectious grin. “He’s so steeped in the history of this music. I just pick up on that and run with it.”

Award-winning pianist and composer Peter Manning Robinson will enthrall audiences with a stunning aural and visual art experience at his The Refractor Piano™ Concert on Thursday, April 28, 2016 at Santa Monica’s Bergamot Station. Performing live with his invention, The Refractor Piano™, Robinson is pioneering a new music form: “refracted music.” Without using prerecorded tracks, triggered samples, external sounds, or MIDI instruments, the Emmy and multiple BMI award-winning composer creates a vast spectrum of new sounds with just a refracted, acoustic piano. In a sense, Robinson plays inside the refractions generated by his newly created instrument. His innovative compositions, rooted in classical and jazz traditions combined with improvisation and acoustic refraction, produce a truly original and transcendent live music experience.  Read the rest of this entry »

Idly Bent presents the World Premiere of award winning Director-Playwright Reed Arnold’s new play, All Is Fair (or Oblivion Wrought), at the Dorie Theatre in Hollywood, CA, opening on Friday, April 8th for eleven performances through Sunday, April 24, 2016. This funny and thought-provoking play grapples with the thornier side of the emotions and ethics of love. All is Fair stars Arnold, Sarah Elizabeth Johnston, Michael Minto, and Ross Gallo. The play is written and directed by Arnold; set design is by Brian Cole; lighting design is by Rebecca Raines; and Zachary Zarvos is the stage manager.  Read the rest of this entry »

Based in Los Angeles, the internationally recognized Tremaine Dance Convention and Competition celebrates 35 years of inspiring young dancers with its continuing 2015-2016 National Tour across the United States, a star-studded 35th Annual Convention Gala Event and National Finals this summer in Orlando, a new book expected in June 2016, and the upcoming Behind the Curtain documentary scheduled for completion in 2017. Led by legendary and very busy choreographer/dance educator/performer Joe Tremaine, one of the most influential dance personalities in the country today, the innovative annual convention includes master dance classes with professional teachers/choreographers and competitive opportunities in approximately 24 U.S. cities for over 50,000 dancers each year from across the United States and around the world. Tremaine is well-known in the industry for performing, choreographing, and/or teaching dance to scores of celebrities including Paula Abdul, Christina Applegate, Cher, Helen Hunt, Gene Kelly, and Diana Ross, to name just a few.

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She served the Earth, and she was fun.  With great sadness, we announce the death of our beloved friend Rachel Rosenthal [1926-2015]. Based in Los Angeles since the 1950s, Rosenthal was an interdisciplinary art pioneer, performer, teacher, animal-rights activist, and cultural icon. She passed peacefully on Sunday night, May 10, 2015, at 7:00pm, due to complications from congestive heart failure, surrounded by her Rachel Rosenthal Company family. Read the rest of this entry »

As angry protestors across the country demand an end to police brutality, nationally syndicated African-American cartoonist Keith Knight has increasingly become a sought-after speaker on U.S. race relations, a frequent topic in his storytelling cartoons. Knight, the creator of three comic strips, The Knight Life, The K Chronicles, and (th)ink, is scheduled for a number of U.S. speaking engagements in 2015, including a special guest presentation on police brutality at the inaugural Black Comix Arts Festival in January and a civil rights panel discussion at the California School Library Association Conference in February. In his provocative speaking engagements, a unique blend of lecture, activism, and comedy, Knight addresses issues of race, politics, media, censorship, and the importance of social activism.  Read the rest of this entry »

Critically acclaimed singer-composer-actor Naama Kates is gearing up to perform at Molly Malone’s on the night of Wednesday, December 17, 2014 at 10:00pm. The appearance is in support of her latest album, Souled, which was released earlier this fall. Presented by Tall Tails Entertainment, the event will feature Kates on piano and vocals. She will be joined on stage by award-winning producer Cyrus Melchor (music production controller and guitar), Joseph Harvey (cello; to be confirmed), Steuart Leibig (bass), and Emiliano Almeida (drums). Doors open at 7:30pm; ages 21+ with ID; $10 tickets available at the door. Read the rest of this entry »

Paprika Productions is pleased to present West Coast premiere performances, in both Los Angeles and San Francisco, of Burq Off!, a gutsy autobiographical one-woman show written and performed by Nadia Parvez Manzoor. Los Angeles performances will run from Thursday, July 17 through Saturday, July 19, 2014 at Elephant Stages in Hollywood. San Francisco performances will run from Thursday, July 24 through Saturday, July 26, 2014 at the EXIT Theatre Studio Space. Directed by Tara Elliott, Burq Off! follows Manzoor’s search for identity and acceptance, while navigating the cultural conflicts of her British-Pakistani home. With great humor and insight, she explores themes of sex, religion, culture, truth, and family.  Read the rest of this entry »

Arts organization Create:Fixate (C:F) presents Serendipity on Saturday, May 17, 2014 at Lot 613 in Downtown Los Angeles. For over a decade, C:F has established its unique signature blend of presenting vibrant visual art and music in an immersive cultural experience. These one-night-only events feature top emerging talent from around the globe, with an emphasis on the local talent of Los Angeles. The excitement begins at 4:00pm with a three-hour gallery preview. The main event starts at 7:00pm and closes at 2:00am. Admission is $15.00 before 9:00pm and $20.00 for the remainder of the night.

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